early as 1755. Like many another nickname, the term Yankee Doodle was
taken up by the nicknamed and proudly made their own. The stanza,

"Yankee Doodle came to town," etc.,

antedates the war; but the first complete set of words to the tune was
the _Yankee's Return from Camp_, which is apparently of the year 1775.
The most popular humorous ballad on the whig side was the _Battle of
the Kegs_, founded on a laughable incident of the campaign at
Philadelphia. This was written by Francis Hopkinson, a Philadelphian,
and one of the signers of the Declaration of Independence. Hopkinson
has some title to rank as one of the earliest American humorists.
Without the keen wit of _McFingal_, some of his _Miscellaneous Essays
and Occasional Writings_, published in 1792, have more geniality and
heartiness than Trumbull's satire. His _Letter on Whitewashing_ is a
bit of domestic humor that foretokens the _Danbury News_ man; and his
_Modern Learning_, 1784, a burlesque on college examinations, in which
a salt-box is described from the point of view of metaphysics, logic,
natural philosophy, mathematics, anatomy, surgery, and chemistry, long
kept its place in school-readers and other collections. His son,
Joseph Hopkinson, wrote the song of _Hail Columbia_, which is saved
from insignificance only by the music to which it was married, the then
popular air of "The President's March." The words were written in
1798, on the eve of a threatened war with France, and at a time when
party spirit ran high. It was sung nightly by crowds in the streets,
and for a whole season by a favorite singer at the theater; for by this
time there were theaters in Philadelphia, in New York, and even in
puritanic Boston. Much better than _Hail Columbia_ was the
_Star-Spangled Banner_, the words of which were composed by Francis
Scott Key, a Marylander, during the bombardment by the British of Fort
McHenry, near Baltimore, in 1812. More pretentious than these was the
once celebrated ode of Robert Treat Paine, Jr., _Adams and Liberty_,
recited at an anniversary of the Massachusetts Charitable Fire Society.
The sale of this is said to have netted its author over $750, but it
is, notwithstanding, a very wooden performance. Paine was a young
Harvard graduate, who had married an actress playing at the Old Federal
Street Theater, the first play-house opened in Boston, in 1794. His
name was originally Thomas, but this was changed for him by the
Massachus