xpressing" whatever feeling the music calls forth in them. The stress
is laid on listening; if you see a picture you reproduce it, if the
music makes you think of trees or wind, thunder or goblins, you become
what you think of. It is astonishing to see how little children learn in
this way to care for music by Schumann, Mendelssohn, Grieg, Dvorak,
Brahms, Chopin, and Beethoven. The music is of course selected with
skill, and care is taken that the "expression" shall not make the
children foolishly self-conscious. Emphasis is always placed on
listening, and the children's appreciation is apparent. Such
appreciation must enrich their lives.
CHAPTER XII
FROM FANCY TO FACT
Creeps ever on from fancy to the fact.
Fairy tales suit little children because their knowledge is so limited,
that "the fairies must have done it" is regarded as a satisfactory
answer to early problems, just as it satisfied childlike Man. Things
that to us are wonderful, children accept as commonplace, while others
commonplace to us are marvels to the child. But fairy tales do not
continue to satisfy all needs. As knowledge grows the child begins to
distinguish between what may and what may not happen, though there will
always be individual differences, and the more poetic souls are apt to
suffer when the outrush of their imagination is checked by a barbed wire
of fact. The question "Is it true?" and the desire for true stories
arise in the average child of seven to eight years, and at that age
history stories are enjoyed. Real history is of course impossible to
young children, whose idea of time is still very vague, and whose
understanding of the motives and actions of those immediately around
them is but embryonic. They still crave for adventure and romance, and
they thrill to deeds of bravery. Bravery in the fight appeals to all
boys and to most girls, and it is a question for serious consideration
how this admiration is to be guided, it certainly cannot be ignored. It
is legitimate to admire knights who ride about "redressing human
wrongs," fighting dragons and rescuing fair ladies from wicked giants,
and at this stage there is no need to draw a hard and fast line between
history and legendary literature. It is good to introduce children,
especially boys, to some of the Arthurian legends if only to impress the
ideal, "Live pure, speak true, right wrong, else wherefore born?"
Stories should always help children to understand human
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