watching the children's way of learning and
developing. Teachers found that what they considered to be "the simple"
was not the simple to children; what they took to be "the known" was the
unfamiliar to children. For instance, the "simple" in geography, in the
adult sense, was the definition of an island, with which most of us
began that study, and in geometry it was the point. To children of the
ordinary type, both are far-away ideas, and not related to everyday
experiences; "the known" in arithmetic, for example, was to teachers the
previous lesson, quite regardless of the fact that arithmetic enters
into many problems of life outside school. The life in school and the
life outside school were, in these early days of infant teaching, two
separate things, and only occasionally did a teacher stoop to take an
example from everyday life. A little girl in one of the poorest schools
brought her baby to show her teacher, and proudly displayed the baby's
powers of speech--"Say a pint of 'alf-an-'alf for teacher," said the
little girl to the baby by way of encouragement to both. This is the
kind of rude awakening teachers get, from time to time, when they
realise how much of the real child eludes them. Psychology has made it
clear that life is a unity and must be so regarded.
Part of this child-study movement has resulted in the slow but sure
death of formalism: large classes, material results, and a lack of
psychology made formalism the path of least resistance. Painting became
"blobbing," constructive work was interpreted as "courses" of paper
folding, cutting, tearing; books of these courses were published with
minute directions for a graduated sequence. The aim was obedient
imitation on the part of the child, and the imagined virtues accruing to
him in consequence were good habits, patience, accuracy and technical
skill. Self-expression and creativeness were still only theories.
A second interesting phase of the transition period was the method
adopted for the training of the senses. From the days of Comenius till
now the importance of this has held its place firmly, but the means have
greatly changed. Pestalozzi's object-lesson was adopted by Wilderspin
and thoroughly sterilised; many teachers still remember the lessons on
the orange, leather, camphor, paper, sugar, in which the teacher's
senses were trained, for only she came in contact with the object, and
the children from their galleries answered questions on an ob
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