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watching the children's way of learning and developing. Teachers found that what they considered to be "the simple" was not the simple to children; what they took to be "the known" was the unfamiliar to children. For instance, the "simple" in geography, in the adult sense, was the definition of an island, with which most of us began that study, and in geometry it was the point. To children of the ordinary type, both are far-away ideas, and not related to everyday experiences; "the known" in arithmetic, for example, was to teachers the previous lesson, quite regardless of the fact that arithmetic enters into many problems of life outside school. The life in school and the life outside school were, in these early days of infant teaching, two separate things, and only occasionally did a teacher stoop to take an example from everyday life. A little girl in one of the poorest schools brought her baby to show her teacher, and proudly displayed the baby's powers of speech--"Say a pint of 'alf-an-'alf for teacher," said the little girl to the baby by way of encouragement to both. This is the kind of rude awakening teachers get, from time to time, when they realise how much of the real child eludes them. Psychology has made it clear that life is a unity and must be so regarded. Part of this child-study movement has resulted in the slow but sure death of formalism: large classes, material results, and a lack of psychology made formalism the path of least resistance. Painting became "blobbing," constructive work was interpreted as "courses" of paper folding, cutting, tearing; books of these courses were published with minute directions for a graduated sequence. The aim was obedient imitation on the part of the child, and the imagined virtues accruing to him in consequence were good habits, patience, accuracy and technical skill. Self-expression and creativeness were still only theories. A second interesting phase of the transition period was the method adopted for the training of the senses. From the days of Comenius till now the importance of this has held its place firmly, but the means have greatly changed. Pestalozzi's object-lesson was adopted by Wilderspin and thoroughly sterilised; many teachers still remember the lessons on the orange, leather, camphor, paper, sugar, in which the teacher's senses were trained, for only she came in contact with the object, and the children from their galleries answered questions on an ob
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