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the owner sometimes treated the boys to milk, made us all very good, and nothing hindered the outing. Neither Lambert nor I had ever seen the pretty valley of the Loire where the house stood. So his imagination and mine were much excited by the prospect of this excursion, which filled the school with traditional glee. We talked of it all the evening, planning to spend in fruit or milk such money as we had saved, against all the habits of school-life. After dinner next day, we set out at half-past twelve, each provided with a square hunch of bread, given to us for our afternoon snack. And off we went, as gay as swallows, marching in a body on the famous chateau with an eagerness which would at first allow of no fatigue. When we reached the hill, whence we looked down on the house standing half-way down the slope, on the devious valley through which the river winds and sparkles between meadows in graceful curves--a beautiful landscape, one of those scenes to which the keen emotions of early youth or of love lend such a charm, that it is wise never to see them again in later years--Louis Lambert said to me, "Why, I saw this last night in a dream." He recognized the clump of trees under which we were standing, the grouping of the woods, the color of the water, the turrets of the chateau, the details, the distance, in fact every part of the prospect which we looked on for the first time. We were mere children; I, at any rate, who was but thirteen; Louis, at fifteen, might have the precocity of genius, but at that time we were incapable of falsehood in the most trivial matters of our life as friends. Indeed, if Lambert's powerful mind had any presentiment of the importance of such facts, he was far from appreciating their whole bearing; and he was quite astonished by this incident. I asked him if he had not perhaps been brought to Rochambeau in his infancy, and my question struck him; but after thinking it over, he answered in the negative. This incident, analogous to what may be known of the phenomena of sleep in several persons, will illustrate the beginnings of Lambert's line of talent; he took it, in fact, as the basis of a whole system, using a fragment--as Cuvier did in another branch of inquiry--as a clue to the reconstruction of a complete system. At this moment we were sitting together on an old oak-stump, and after a few minutes' reflection, Louis said to me: "If the landscape did not come to me--which it is
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