impled with eruptive
summerhouses, that it had meant to run over in no time.

'The house,' thought Clennam, as he crossed to the door, 'is as little
changed as my mother's, and looks almost as gloomy. But the likeness
ends outside. I know its staid repose within. The smell of its jars of
old rose-leaves and lavender seems to come upon me even here.'

When his knock at the bright brass knocker of obsolete shape brought a
woman-servant to the door, those faded scents in truth saluted him like
wintry breath that had a faint remembrance in it of the bygone spring.
He stepped into the sober, silent, air-tight house--one might have
fancied it to have been stifled by Mutes in the Eastern manner--and the
door, closing again, seemed to shut out sound and motion. The
furniture was formal, grave, and quaker-like, but well-kept; and had as
prepossessing an aspect as anything, from a human creature to a wooden
stool, that is meant for much use and is preserved for little, can ever
wear. There was a grave clock, ticking somewhere up the staircase; and
there was a songless bird in the same direction, pecking at his cage, as
if he were ticking too. The parlour-fire ticked in the grate. There was
only one person on the parlour-hearth, and the loud watch in his pocket
ticked audibly.

The servant-maid had ticked the two words 'Mr Clennam' so softly that
she had not been heard; and he consequently stood, within the door
she had closed, unnoticed. The figure of a man advanced in life, whose
smooth grey eyebrows seemed to move to the ticking as the fire-light
flickered on them, sat in an arm-chair, with his list shoes on the
rug, and his thumbs slowly revolving over one another. This was old
Christopher Casby--recognisable at a glance--as unchanged in twenty
years and upward as his own solid furniture--as little touched by the
influence of the varying seasons as the old rose-leaves and old lavender
in his porcelain jars.

Perhaps there never was a man, in this troublesome world, so troublesome
for the imagination to picture as a boy. And yet he had changed very
little in his progress through life. Confronting him, in the room in
which he sat, was a boy's portrait, which anybody seeing him would have
identified as Master Christopher Casby, aged ten: though disguised with
a haymaking rake, for which he had had, at any time, as much taste or
use as for a diving-bell; and sitting (on one of his own legs) upon a
bank of violets, moved to pre