y louis."

"At what o'clock?"

"At three. It's settled then?"

"It's settled."

Straightway the Tricon talked of the state of the weather. It was dry
weather, pleasant for walking. She had still four or five persons to
see. And she took her departure after consulting a small memorandum
book. When she was once more alone Nana appeared comforted. A slight
shiver agitated her shoulders, and she wrapped herself softly up
again in her warm bedclothes with the lazy movements of a cat who is
susceptible to cold. Little by little her eyes closed, and she lay
smiling at the thought of dressing Louiset prettily on the following
day, while in the slumber into which she once more sank last night's
long, feverish dream of endlessly rolling applause returned like a
sustained accompaniment to music and gently soothed her lassitude.

At eleven o'clock, when Zoe showed Mme Lerat into the room, Nana was
still asleep. But she woke at the noise and cried out at once:

"It's you. You'll go to Rambouillet today?"

"That's what I've come for," said the aunt. "There's a train at twenty
past twelve. I've got time to catch it."

"No, I shall only have the money by and by," replied the young woman,
stretching herself and throwing out her bosom. "You'll have lunch, and
then we'll see."

Zoe brought a dressing jacket.

"The hairdresser's here, madame," she murmured.

But Nana did not wish to go into the dressing room. And she herself
cried out:

"Come in, Francis."

A well-dressed man pushed open the door and bowed. Just at that moment
Nana was getting out of bed, her bare legs in full view. But she did not
hurry and stretched her hands out so as to let Zoe draw on the sleeves
of the dressing jacket. Francis, on his part, was quite at his ease and
without turning away waited with a sober expression on his face.

"Perhaps Madame has not seen the papers. There's a very nice article in
the Figaro."

He had brought the journal. Mme Lerat put on her spectacles and read the
article aloud, standing in front of the window as she did so. She had
the build of a policeman, and she drew herself up to her full height,
while her nostrils seemed to compress themselves whenever she uttered
a gallant epithet. It was a notice by Fauchery, written just after the
performance, and it consisted of a couple of very glowing columns, full
of witty sarcasm about the artist and of broad admiration for the woman.

"Excellent!" Francis kept repeating.

N