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rnate, nevertheless, since the new Lady was to halt there, met by all the clergy, as she did, it was thought well to embellish it with all possible pomp and show of religion, and with lights, festoons, shields, and a vast and very well distributed quantity of banners. At the principal door, in particular, there was made in the Ionic Order of composition a marvellous and most graceful ornament, in which, in addition to the rest, which was in truth excellently well conceived, rich and rare beyond all else appeared ten little stories of the actions of the glorious Mother of Our Lord Jesus Christ, executed in low-relief, which, since they were judged by all who saw them to be of admirable artistry, it is hoped that some day they may be seen in bronze in competition with the marvellous and stupendous gates of the Temple of S. Giovanni, and even, as in a more favoured age, more pleasing and more beautiful; but at that time, although of clay, they were seen all overlaid with gold, and were let in a graceful pattern of compartments into the wooden door, which likewise had the appearance of gold. Above which, besides an immense escutcheon of the Medici with the Papal Keys and Crown, supported by Operation and Grace, were seen painted in a very beautiful canvas all the tutelary Saints of the city, who, turned towards a Madonna and the Child that she was holding in her arms, appeared to be praying to her for the welfare and felicity of Florence; even as over all, as the principal device, and with most lovely invention, was seen a little ship which, with the aid of a favourable wind, appeared to be speeding with full sail towards a most tranquil port, signifying that Christian actions are in need of the divine grace, but that it is also necessary on our part to add to them, as not being passive, good disposition and activity. Which was likewise made clearly manifest by the motto, which said, [Greek: Syn Theo]; and even more by the very short inscription that was seen beneath, saying: CONFIRMA HOC DEUS QUOD OPERATUS ES IN NOBIS. OF THE HORSE. On the Piazza di S. Pulinari, not in connection with the tribunal that was near there, but to the end that the great space between the Duomo and the next arch might not remain empty, although the street is very beautiful, there was made with marvellous artistry and subtle invention the figure of an immense, very excellent, very fiery and well-executed horse, more than nine braccia
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