FREE BOOKS

Author's List




PREV.   NEXT  
|<   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35  
36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   >>   >|  
ortant thing in an easel is that it should be steady and firm; that it should hold the canvas without trembling, and so that it will not fall as you paint out towards the edges. You often paint with a heavy hand, and you must not have to hold on to your picture with one hand and paint with the other. Nothing is more annoying than a poor easel, and nothing will give you more solid satisfaction, than the result of a little generosity in paying for a good one. The ideal thing for the studio is, of course, the great "screw easel," which is heavy, safe, convenient, and expensive. We would like to have one, but we can't afford it, so we won't speak of it. The next best thing is an ordinary easel which doesn't cost a great deal, but which is firm and solid and practical. Don't get one of the various three-legged folding easels which cost about seventy-five cents or a dollar. They tumble down too often and too easily. The wear and tear on the temper they cause is more than they are worth. It is true that they fold up out of the way. But they fold up when you don't expect them to; and you ought to be able to afford room enough for an easel anyway, if you paint at all. [Illustration] The illustration shows one of the firmest of the inexpensive easels, and one which will fold up into as small a compass as any practical easel will. It will hold perfectly well a good-sized canvas, even with its frame, and will not tumble over on slight provocation. Another good easel is shown on p. 17. It is more lightly made, not so well braced, but is more convenient for raising and lowering the picture, as the catch allows the whole thing to be raised and lowered at once. If you are to save money on your easel, don't save on the construction and strength of it, but on the finish. Let the polish and varnish go, but get a well-made easel with solid wood. The heavier it is, the less easily it packs away, to be sure, but the more steadily it will hold your picture. [Illustration] =Sketching Easels.=--The same things are of importance in an easel for out-of-door work that are needed in a studio easel, except that it must also be portable. So if you must have a folding easel, get a _good_ sketching easel; or if you can't have one for in-doors and one for out-doors, then pay a good price for a sketching easel, and use it in doors and out also. There are two things which are absolutely essential in a sketching easel. It _must_ have legs whi
PREV.   NEXT  
|<   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35  
36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   >>   >|  



Top keywords:
picture
 

sketching

 

afford

 

convenient

 
practical
 
things
 

Illustration

 
easily
 

folding

 

easels


tumble

 

studio

 
canvas
 

strength

 
lowering
 
construction
 

raised

 

raising

 
lowered
 

perfectly


trembling

 

slight

 

provocation

 
lightly
 

finish

 
Another
 

braced

 

varnish

 

ortant

 

portable


steady

 

essential

 
absolutely
 

needed

 

heavier

 

polish

 
importance
 
Easels
 

steadily

 

Sketching


legged

 

satisfaction

 

result

 

dollar

 
seventy
 

generosity

 
expensive
 

paying

 
ordinary
 

inexpensive