_universal_ force and influence to
which they are all subjected; and of these lines there will, I repeat,
be two principal sets or classes, pretty nearly at right angles with
each other. When both are inclined, they give rise to peaks or ridges;
when one is nearly horizontal and the other vertical, to table-lands and
precipices.
This then is the broad organization of all hills, modified afterwards by
time and weather, concealed by superincumbent soil and vegetation, and
ramified into minor and more delicate details in a way presently to be
considered, but nevertheless universal in its great first influence, and
giving to all mountains a particular cast and inclination; like the
exertion of voluntary power in a definite direction, an internal spirit,
manifesting itself in every crag, and breathing in every slope, flinging
and forcing the mighty mass towards the heaven with an expression and an
energy like that of life.
Sec. 5. The perfect expression of them in Turner's Loch Coriskin.
Now, as in the case of the structure of the central peaks described
above, so also here, if I had to give a clear idea of this organization
of the lower hills, where it is seen in its greatest perfection, with a
mere view to geological truth, I should not refer to any geological
drawings, but I should take the Loch Coriskin of Turner. It has luckily
been admirably engraved, and for all purposes of reasoning or form, is
nearly as effective in the print as in the drawing. Looking at any group
of the multitudinous lines which make up this mass of mountain, they
appear to be running anywhere and everywhere; there are none parallel to
each other, none resembling each other for a moment; yet the whole mass
is felt at once to be composed with the most rigid parallelism, the
surfaces of the beds towards the left, their edges or escarpments
towards the right. In the centre, near the top of the ridge, the edge of
a bed is beautifully defined, casting its shadow on the surface of the
one beneath it; this shadow marking by three jags the chasms caused in
the inferior one by three of its parallel joints. Every peak in the
distance is evidently subject to the same great influence, and the
evidence is completed by the flatness and evenness of the steep surfaces
of the beds which rise out of the lake on the extreme right, parallel
with those in the centre.
Sec. 6. Glencoe and other works.
Sec. 7. Especially the Mount Lebanon.
Turn to Glenc
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