FREE BOOKS

Author's List




PREV.   NEXT  
|<   374   375   376   377   378   379   380   381   382   383   384   385   386   387   388   389   390   391   392   393   394   395   396   397   398  
399   400   401   402   403   404   405   406   407   408   409   410   411   412   413   414   415   416   417   418   419   420   421   422   423   >>   >|  
ng of the day-star. FOOTNOTES [58] I have cut out a passage in this place which insisted on the _angular_ character of rocks,--not because it was false, but because it was incomplete, and I cannot explain it nor complete it without example. It is not the absence of curves, but the suggestion of _hardness through_ curves, and of the under tendencies of the inward structure, which form the true characteristics of rock form; and Salvator, whom neither here nor elsewhere I have abused enough, is not wrong because he paints curved rocks, but because his curves are the curves of ribbons and not of rocks; and the difference between rock curvature and other curvature I cannot explain verbally, but I hope to do it hereafter by illustration; and, at present, let the reader study the rock-drawing of the Mont St. Gothard subject, in the Liber Studiorum, and compare it with any examples of Salvator to which he may happen to have access. All the account of rocks here given is altogether inadequate, and I only do not alter it because I first wish to give longer study to the subject. [59] A passage which I happened to see in an Essay of Mr. Pyne's, in the Art-Union, about nature's "foisting rubbish" upon the artist, sufficiently explains the cause of this decline. If Mr. Pyne will go to nature, as all great men have done, and as all men who mean to be great must do, that is not merely to be _helped_, but to be _taught_ by her; and will once or twice take her gifts, without looking them in the mouth, he will most assuredly find--and I say this in no unkind or depreciatory feeling, for I should say the same of all artists who are in the habit of only sketching nature, and not studying her--that _her_ worst is better than _his_ best. I am quite sure that if Mr. Pyne, or any other painter who has hitherto been very careful in his choice of subject, will go into the next turnpike-road, and taking the first four trees that he comes to in the hedge, give them a day each, drawing them leaf for leaf, as far as may be, and even their smallest boughs with as much care as if they were rivers, or an important map of a newly-surveyed country, he will find, when he has brought them all home, that at least three out of the four are better than the best he ever invented. Compare Part III. Sect. I. Chap. III. Sec
PREV.   NEXT  
|<   374   375   376   377   378   379   380   381   382   383   384   385   386   387   388   389   390   391   392   393   394   395   396   397   398  
399   400   401   402   403   404   405   406   407   408   409   410   411   412   413   414   415   416   417   418   419   420   421   422   423   >>   >|  



Top keywords:

curves

 

subject

 
nature
 

drawing

 

curvature

 

Salvator

 
explain
 
passage
 

brought

 

assuredly


feeling
 
unkind
 
depreciatory
 

Compare

 

taught

 

helped

 
invented
 

country

 

choice

 

careful


smallest

 

turnpike

 

taking

 

boughs

 

hitherto

 

important

 

studying

 

surveyed

 

sketching

 

rivers


painter

 

artists

 

abused

 

characteristics

 

tendencies

 
structure
 
verbally
 

difference

 

paints

 

curved


ribbons
 
insisted
 

FOOTNOTES

 

angular

 

character

 

absence

 
suggestion
 

hardness

 
incomplete
 

complete