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nion which reminds us of Hobbes' old theory of "glorying over others." The difference between their views and that of most authorities is not so great as it at first appears; they admit a "negation" of truth and beauty, but found the ludicrous, not upon this, but upon the rebirth which follows. This step in advance, taken in accordance with their general philosophy, may be correct, but it does not seem warranted by the mere examination of the subject itself. Can we say that at the instant of laughter we regard not that something is wrong, but that the reverse of it is right? When humour is brought before us, do we feel in any way instructed? This rebirth from a negation must seem somewhat visionary. What, for instance, is the truth to be gathered from the following. "I wish," said a philanthropic orator, "to be a friend to the friendless, a father to the fatherless, and a widow to the widowless." Probably, the philosopher who formed the rebirth theory had looked at ludicrous events rather than humorous stories--and it may be urged that we laugh at the former when we are set right, and are convinced of having been really mistaken. But at the moment what excites mirth is something that seems wrong. We meet a friend, for instance, in a place where we little expected to see him, and perhaps smile at the meeting. Had we known all his movements we should not have been thus surprised, but we were ignorant of them. Here we may say our views are corrected, and our amusement comes from a resolution or rebirth. But reflection will show that whatever our final conclusion may be, we laugh at what seems to us, at the moment, unaccountable and wrong; and as soon as we begin to correct ourselves, and to see how the event occurred, our merriment disappears. Many instances will occur to us in which what is really right may appear wrong. Most of us have heard the proverb "If the day is fine take an umbrella, if it rains do as you like." It may give good advice, but we should be much inclined to laugh at anyone who adopted it. Leon Dumont, the latest writer who has added considerably to our knowledge on this subject, does not admit the existence of imperfection in the ludicrous. But the arguments which he adduces do not seem to be conclusive. He says, for instance, that we laugh at love and amatory adventures because they abound in deceptions! But deception always implies ignorance or falsity, and the extravagant phraseology of love,
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