re came into view upstage a
squad of little white-clad female naval officers, each, according to my
recollection, carrying the Stars and Stripes. As these marched forward
and deployed as skirmishers before the footlights, the orchestra struck
up "The Star-Spangled Banner," fortissimo, and with a liberal sounding
of the brasses. Upon this appeared at the back a counterfeit President
of the United States, guarded on either side by a female militia--or
were they perhaps secret-service agents?--in striking uniforms
consisting of pink fleshings partially draped with thin black lace.
As this incongruous parade proceeded to the footlights, American flags
came into evidence, and, though I forget whether or not Columbia
appeared, I recollect that a beautiful young woman, habited in what
appeared to be a light pink union suit of unexceptionable cut and
material, appeared above the head of the pseudo-chief executive,
suspended at the end of a wire. Never having heard that it was White
House etiquette to hang young ladies on wires above the presidential
head, I consulted my program and thereby learned that this young lady
represented that species of poultry so popular always with the late
Secretary of State, Mr. Bryan, and so popular also at one time with the
President himself: namely, the Dove of Peace.
The applause was thunderous. At the sound of "The Star-Spangled Banner"
a few members of the audience arose to their feet; others soon
followed--some of them apparently with reluctance--until at last the
entire house had risen. Meanwhile the members of the company lined up
before the footlights: the mock president smirking at the center, the
half-clad girls posing, the pink young lady dangling above, the band
blaring, the Stars and Stripes awave. It was a scene, in all, about as
conducive to genuine or creditable national pride as would be the scene
of a debauch in some fabulous harem.
The difference between stupidity and satire lies, not infrequently, in
the intent with which a thing is done. Presented without essential
change upon the stage of a music hall in some foreign land, the scene
just described would, at that time, when we were playing a timid part
amongst the nations, have been accepted, not as a glorification of the
United States, but as having a precisely opposite significance. It would
have been taken for burlesque; burlesque upon our country, our
President, our national spirit, our peace policy, our army, and pe
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