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h. Indeed there is a very choice collection of French prints which the young men sometimes study over their cigars, but which are this evening in the port-folio, which is not in sight. The waiters move very softly. The wants of the guests are revealed to them by being supplied. Quiet, elegance, luxury prevail. "Really, Mr. Newt"--it is Mrs. Plumer, of New Orleans, who speaks--"you have created Paris in Grand Street!" "Ah! madame, it is you who graciously bring Versailles and the Tuileries with you!" He speaks to the mother; he looks, as he ends, again at the daughter. The daughter for the first time is in the sanctuary of a bachelor--of a young man about town. It is a character which always interests her--which half fascinates her. Miss Plumer, of New Orleans, has read more French literature of the lighter sort--novels and romances, for instance--than most of the young women whom Abel Newt meets in society. Her eyes are very shrewd, and she is looking every where to see if she shall not light upon some token of bachelor habits--something that shall reveal the man who occupies those pretty rooms. Every where her bright eyes fall softly, but every where upon quiet, elegance, and luxury. There is the Madonna; but there are also the last winner at the Newmarket, the profile of Mr. Bulwer, and a French landscape. The books are good, but not too good. There is an air of candor and honesty in the room, united with the luxury and elegance, that greatly pleased Miss Grace Plumer. The apartment leads naturally up to that handsome, graceful, dark-haired, dark-eyed gentleman whose eye is following hers, while she does not know it; but whose mind has preceded hers in the very journey around the room it has now taken. Sligo Moultrie sits beyond Miss Plumer, who is at the left of Mr. Newt. Upon his right sits Mrs. Plumer. The friendly relations of Abel and Sligo have not been disturbed. They seem, indeed, of late to have become even strengthened. At least the young men meet oftener; not infrequently in Mrs. Plumer's parlor. Somehow they are aware of each other's movements; somehow, if one calls upon the Plumers, or drives with them, or walks with them alone, the other knows it. And they talk together freely of all people in the world, except the Plumers of New Orleans. In Abel's room of an evening, at a late hour, when a party of youth are smoking, there are many allusions to the pretty Plumer--to which it happens that Ne
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