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ape, 103. Adventure in a wigwam, 103. Successful progress toward liberty, 104. Chap. XV Adventure on the Prairie, 106. I borrow a horse without leave, 108. Rapid traveling one whole night, 108. Apology for using other men's horses, 109. My manner of living on the road, 109. Chap. XVI. Stratagem to get on board the steamer, 111. My Irish friends, 112. My success in reaching the Ohio, 113. Reflections on again seeing Kentucky, 113. I get employment in a hotel, 113. My fright at seeing the gambler who sold me, 114. I leave Ohio with Mr. Smith, 115. His letter, 115. My education, 116. Chap. XVII. Letter from W.H. Gatewood, 117. My reply, 118. My efforts as a public lecturer, 119. Singular incident in Steubenville, 119. Meeting with a friend of Whitfield in Michigan, 121. Outrage on a canal packet, 122. Fruitless efforts to find my wife, 124. Chap. XVIII. My last effort to recover my family, 126. Sad tidings of my wife, 126. Her degradation, 126. I am compelled to regard our relation as dissolved for ever, 127. Chap. XIX. Comments on S. Gatewood's letter about slaves stealing, 130. Their conduct vindicated, 131. Comments on W. Gatewood's letter, 132. Chap. XX. Review of my narrative, 134. Licentiousness a prop of Slavery, 134. A case of mild slavery given, 135. Its revolting features, 135. Times of my purchase and sale by professed Christians, 136. Concluding remarks, 137. End of the Project Gutenberg EBook of Narrative of the Life and Adventures of Henry Bibb, an American Slave, Written by Himself, by Henry Bibb *** END OF THIS PROJECT GUTENBERG EBOOK NARRATIVE OF THE LIFE AND *** ***** This file should be named 15398.txt or 15398.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/5/3/9/15398/ Produced by Suzanne Shell, Richard J. Shiffer and the Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the
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