ent of Ralph Waldo Emerson. If the ideas of parents
survive as impressions or tendencies in their descendants, no man had
a better right to an inheritance of theological instincts than this
representative of a long line of ministers. The same trains of thought
and feeling might naturally gain in force from another association of
near family relationship, though not of blood. After the death of the
first William Emerson, the Concord minister, his widow, Mr. Emerson's
grandmother, married, as has been mentioned, his successor, Dr. Ezra
Ripley. The grandson spent much time in the family of Dr. Ripley, whose
character he has drawn with exquisite felicity in a sketch read before
The Social Circle of Concord, and published in the "Atlantic Monthly"
for November, 1883. Mr. Emerson says of him: "He was identified with the
ideas and forms of the New England Church, which expired about the same
time with him, so that he and his coevals seemed the rear guard of the
great camp and army of the Puritans, which, however in its last days
declining into formalism, in the heyday of its strength had planted and
liberated America.... The same faith made what was strong and what was
weak in Dr. Ripley." It would be hard to find a more perfect sketch of
character than Mr. Emerson's living picture of Dr. Ripley. I myself
remember him as a comely little old gentleman, but he was not so
communicative in a strange household as his clerical brethren, smiling
John Foster of Brighton and chatty Jonathan Homer of Newton. Mr. Emerson
says, "He was a natural gentleman; no dandy, but courtly, hospitable,
manly, and public-spirited; his nature social, his house open to all
men.--His brow was serene and open to his visitor, for he loved men, and
he had no studies, no occupations, which company could interrupt. His
friends were his study, and to see them loosened his talents and his
tongue. In his house dwelt order and prudence and plenty. There was
no waste and no stint. He was open-handed and just and generous.
Ingratitude and meanness in his beneficiaries did not wear out his
compassion; he bore the insult, and the next day his basket for the
beggar, his horse and chaise for the cripple, were at their door." How
like Goldsmith's good Dr. Primrose! I do not know any writing of
Mr. Emerson which brings out more fully his sense of humor,--of the
picturesque in character,--and as a piece of composition, continuous,
fluid, transparent, with a playful ripple h