FREE BOOKS

Author's List




PREV.   NEXT  
|<   1300   1301   1302   1303   1304   1305   1306   1307   1308   1309   1310   1311   1312   1313   1314   1315   1316   1317   1318   1319   1320   1321   1322   1323   1324  
1325   1326   1327   1328   1329   1330   1331   1332   1333   1334   1335   1336   1337   1338   1339   1340   1341   1342   1343   1344   1345   1346   1347   1348   1349   >>   >|  
twice. Imbecile! He opened the book-- "Oh, no; it is an ever-fixed mark That looks on tempests and is never shaken. It is the star to every wandering bark, Whose worth's unknown altho' its height be taken." "Point of five! Three queens--three knaves! Do you know that thing of Dowson's: 'I have been faithful to thee, Cynara, in my fashion'? Better than any Verlaine, except 'Les sanglots longs.' What have you got?" "Only quart to the queen. Do you like the name 'Cynara'?" "Yes; don't you?" "Cynara! Cynara! Ye-es--an autumn, rose-petal, whirling, dead-leaf sound." "Good! Pipped. Shut up, Ossy--don't snore!" "Ah, poor old dog! Let him. Shuffle for me, please. Oh! there goes another card!" Her knee was touching his--! . . . The book had dropped--Summerhay started. Dash it! Hopeless! And, turning round in that huge armchair, he snoozed down into its depths. In a few minutes, he was asleep. He slept without a dream. It was two hours later when the same friend, seeking distraction, came on him, and stood grinning down at that curly head and face which just then had the sleepy abandonment of a small boy's. Maliciously he gave the chair a little kick. Summerhay stirred, and thought: 'What! Where am I?' In front of the grinning face, above him, floated another, filmy, charming. He shook himself, and sat up. "Oh, damn you!" "Sorry, old chap!" "What time is it?" "Ten o'clock." Summerhay uttered an unintelligible sound, and, turning over on the other arm, pretended to snooze down again. But he slept no more. Instead, he saw her face, heard her voice, and felt again the touch of her warm, gloved hand. III At the opera, that Friday evening, they were playing "Cavalleria" and "Pagliacci"--works of which Gyp tolerated the first and loved the second, while Winton found them, with "Faust" and "Carmen," about the only operas he could not sleep through. Women's eyes, which must not stare, cover more space than the eyes of men, which must not stare, but do; women's eyes have less method, too, seeing all things at once, instead of one thing at a time. Gyp had seen Summerhay long before he saw her; seen him come in and fold his opera hat against his white waistcoat, looking round, as if for--someone. Her eyes criticized him in this new garb--his broad head, and its crisp, dark, shining hair, his air of sturdy, lazy, lovable audacity. He looked w
PREV.   NEXT  
|<   1300   1301   1302   1303   1304   1305   1306   1307   1308   1309   1310   1311   1312   1313   1314   1315   1316   1317   1318   1319   1320   1321   1322   1323   1324  
1325   1326   1327   1328   1329   1330   1331   1332   1333   1334   1335   1336   1337   1338   1339   1340   1341   1342   1343   1344   1345   1346   1347   1348   1349   >>   >|  



Top keywords:

Summerhay

 

Cynara

 
turning
 

grinning

 

Friday

 

charming

 

playing

 
Cavalleria
 

floated

 

evening


gloved

 

unintelligible

 

pretended

 

uttered

 
snooze
 

Instead

 

waistcoat

 

criticized

 

sturdy

 

lovable


audacity

 

looked

 
shining
 
things
 
Carmen
 

Winton

 
tolerated
 

operas

 
method
 
Pagliacci

Verlaine
 

sanglots

 
Better
 
fashion
 

Dowson

 

faithful

 
autumn
 
whirling
 

knaves

 
tempests

shaken

 

Imbecile

 

opened

 

wandering

 

queens

 

unknown

 
height
 

friend

 
seeking
 

distraction