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The Project Gutenberg EBook of Beatrix, by Honore de Balzac This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Beatrix Author: Honore de Balzac Translator: Katharine Prescott Wormeley Release Date: November, 1999 [Etext #1957] Posting Date: March 8, 2010 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK BEATRIX *** Produced by John Bickers, and Dagny BEATRIX By Honore De Balzac Translated by Katharine Prescott Wormeley NOTE It is somewhat remarkable that Balzac, dealing as he did with traits of character and the minute and daily circumstances of life, has never been accused of representing actual persons in the two or three thousand portraits which he painted of human nature. In "The Great Man of the Provinces in Paris" some likenesses were imagined: Jules Janin in Etienne Lousteau, Armand Carrel in Michel Chrestien, and, possibly, Berryer in Daniel d'Arthez. But in the present volume, "Beatrix," he used the characteristics of certain persons, which were recognized and admitted at the time of publication. Mademoiselle des Touches (Camille Maupin) is George Sand in character, and the personal description of her, though applied by some to the famous Mademoiselle Georges, is easily recognized from Couture's drawing. Beatrix, Conti, and Claude Vignon are sketches of the Comtesse d'Agoult, Liszt, and the well-known critic Gustave Planche. The opening scene of this volume, representing the manners and customs of the old Breton family, a social state existing no longer except in history, and the transition period of the _vieille roche_ as it passed into the customs and ideas of the present century, is one of Balzac's remarkable and most famous pictures in the "Comedy of Human Life." K.P.W. BEATRIX I. A BRETON TOWN AND MANSION France, especially in Brittany, still possesses certain towns completely outside of the movement which gives to the nineteenth century its peculiar characteristics. For lack of quick and regular communication with Paris, scarcely connected by wretched roads with the sub-prefecture, or the chief city of their own province, these towns
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