h exclamations of surprise
and indignation. When he had finished his recital, they were speechless
and amazed. The first to break the silence was Signora Maria.

"If Jeanne would only come!" she said softly.

She made an imperceptible sign to her husband, and proposed that they
both go and see if by any chance she had returned and they had not
been informed. While they were crossing the Jardin d'Hiver she said she
thought di Leyni should be told who Jeanne really was. Signora Dessalle
had not yet returned. Giovanni took the young man aside, and spoke to
him in a low tone. Maria, who was watching him, saw him tremble and turn
pale, his eyes dilate; saw him, in his turn, speak, asking something.
Jeanne Dessalle entered hurriedly, smiling.

The porter had given her a note from a doctor. It said:

"I do not expect to be able to come back. This morning he was without
fever. Let us hope the attack may not return."

Jeanne saw at once that there was no question of removing the patient.
She embraced Maria and shook hands with Selva, who presented di Leyni.
Then she apologised to them all because she was obliged to leave them
for five minutes. Her brother was waiting for her. As soon as she had
left the room, promising to return at once, di Leyni drew Selva aside
once more. Maria saw the look of anxiety he had worn before reappear on
his face, saw that he was asking many questions, and that her husband's
answers seemed to be calming him. At last she saw her husband place
his hands on the young man's shoulders, and say something to him,
she believed she knew what; it was something secret, not yet known to
Jeanne. She saw emotion and profound reverence in the young man's eyes.

A waiter came to say that Signora Dessalle was waiting for them in her
apartment. There was much movement in the hotel. The rustling of long
skirts, the muffled beat of footsteps mingled on the carpets of the
corridors; subdued foreign voices, gay, plaintive, flattering or
indifferent, came and went; the lifts were being taken by storm. Each
member of the little silent group experienced the same bitter sense
of all this indifferent worldliness. Jeanne was in her salon next to
Carlino's room, where he was accompanying Chieco's violoncello on the
piano. She came forward to meet her friends with a smile that, combined
with the music--antique Italian music, simple and peaceful--made their
hearts ache. She seemed rather surprised to see di Leyni, from whom