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The Project Gutenberg EBook of You Don't Make Wine Like the Greeks Did, by David E. Fisher This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: You Don't Make Wine Like the Greeks Did Author: David E. Fisher Illustrator: Leo Summers Release Date: April 6, 2010 [EBook #31897] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK YOU DON'T MAKE WINE LIKE GREEKS *** Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net _"Every century has its advantages and its drawbacks," he said. "We, for instance, have bred out sexual desire. And, as for you people ..."_ YOU DON'T MAKE WINE LIKE THE GREEKS DID By DAVID E. FISHER ILLUSTRATED by SUMMERS On the sixty-third floor of the Empire State Building is, among others of its type, a rather small office consisting of two rooms connected by a stout wooden door. The room into which the office door, which is of opaque glass, opens, is the smaller of the two and serves to house a receptionist, three not-too-comfortable armchairs, and a disorderly, homogeneous mixture of _Life's_, _Look's_ and _New Yorker's_. [Illustration: Donald was determined to make Mimi go back to their world--dead or alive!] The receptionist is a young woman, half-heartedly pretty but certainly chic in the manner of New York's women in general and of its working women in particular, perhaps in her middle twenties, with a paucity of golden hair which is kept clinging rather back on her skull by an intricate network of tortoise-shell combs and invisible pins. She is engaged to a man who is in turn engaged in a position for an advertising firm just thirty-seven stories directly below her. Her name is Margaret. She often, in periods when the immediate consummation of the work on her desk is not of paramount importance, as is often the case, gazes somnolently at the floor beside her large walnut desk, hoping to catch a lurking image of her beloved only thirty-seven stories away. She rarely succeeds in viewing him through the intervening spaces, but she does not tire of trying; it is a pleasant enough diversion. There is an electronics firm just five stor
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