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These isolated Sioux are the Winebagoes; the others being the Dahcota, the Yankton, the Teton, the Upsaroka, the Mandan, the Minetari, the Missouri, the Osage, the Konzas, the Ottos, the Omahaws, the Puncas, the Ioways, and the Quappas,--all American, _i.e._, belonging to the United States. None of the Sioux tribe come in contact with the sea. None of them belong to the great _forest_ districts of America. Most of them hunt over the country of the buffalo. This makes them warlike, migratory hunters; with fewer approaches to agricultural or industrial civilization than any Indians equally favoured by soil and climate. Of this class the Assineboins are the British representatives. They are the chief _Red River_ aborigines. It is the Iroquois, the Sioux, and certain members of the Algonkin stock, upon which the current and popular notions of the American Indian, the _Red Man_, as he is called-- The Stoic of the woods, the man without a tear, &c., have been formed. The Athabaskans, on the other hand, have not contributed much to our notions on this point. In the first place, they are less known; in the next, they are less typical. But this raises their value in the eyes of the ethnologist; and the very fact of their possessing certain characteristics, in a comparatively slight degree, makes them all the fitter for illustrating the phenomena of _transition_. Previous, however, to this, we must get our other _extreme_. This is to be found in the ethnology of-- _The Eskimo._--It is a very easy matter for an artistic ethnologist to make some fine light-and-shade contrasts between two populations, where he has an Iroquois or a Sioux at one end, and an Eskimo of Labrador at the other. An oblique eye, bleared and sore from the glare of the snow, with a crescentic fold overshadowing the _caruncula lacrymalis_, surmounted by a low forehead and black shaggy locks, with cheek-bones of such inordinate development as to make the face as broad as it is long, are elements of ugliness which catch the imagination, and produce a caricature, where we want a picture. And they are elements of ugliness which can be accumulated. We may add to them, a nose so flat, and cheeks so fleshy, as for a ruler, placed across the latter, to leave the former untouched. We may then notice the state of the teeth, from the mastication of injurious substances; and having thus exhausted nature, we may revert to the deformities of art. We may
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