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generalizations to their briefest form of expression, to give them the epigrammatic turn which made them portable in the memory. This was the specialty of Madame de Sable's circle, and was, probably, due to her own tendency. As the Hotel de Rambouillet was the nursery of graceful letter-writing, and the Luxembourg of "portraits" and "characters," so Madame de Sable's _salon_ fostered that taste for the sententious style, to which we owe, probably, some of the best _Pensees_ of Pascal, and certainly, the "Maxims" of La Rochefoucauld. Madame de Sable herself wrote maxims, which were circulated among her friends; and, after her death, were published by the Abbe d'Ailly. They have the excellent sense and nobility of feeling which we should expect in everything of hers; but they have no stamp of genius or individual character: they are, to the "Maxims" of La Rochefoucauld, what the vase moulded in dull, heavy clay is to the vase which the action of fire has made light, brittle, and transparent. She also wrote a treatise on Education, which is much praised by La Rochefoucauld and M. d'Andilly; but which seems no longer to be found: probably it was not much more elaborate than her so-called "Treatise on Friendship," which is but a short string of maxims. Madame de Sable's forte was evidently not to write herself, but to stimulate others to write; to show that sympathy and appreciation which are as genial and encouraging as the morning sunbeams. She seconded a man's wit with understanding--one of the best offices which womanly intellect has rendered to the advancement of culture; and the absence of originality made her all the more receptive toward the originality of others. The manuscripts of Pascal show that many of the _Pensees_, which are commonly supposed to be raw materials for a great work on religion, were remodelled again and again, in order to bring them to the highest degree of terseness and finish, which would hardly have been the case if they had only been part of a quarry for a greater production. Thoughts, which are merely collected as materials, as stones out of which a building is to be erected, are not cut into facets, and polished like amethysts or emeralds. Since Pascal was from the first in the habit of visiting Madame de Sable, at Port Royal, with his sister, Madame Perier (who was one of Madame de Sable's dearest friends), we may well suppose that he would throw some of his jewels among the large
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