FREE BOOKS

Author's List




PREV.   NEXT  
|<   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71  
72   73   74   75   76   >>  
ficult of manipulation, I will direct you how to cut the end of neck so that a perfect fit may be obtained in the body of violin where was cut the mortice previously, fig. 19, into which said neck has to be inserted. To the exact outline of this I now cut the neck end, one and three-eighths of an inch broad at top, one and three-sixteenths of an inch at bottom, and one and nine-sixteenths of an inch deep. I cut on an angle, so as to get the elevation required for correct height of bridge. And then, all being square, I slope to the end which is ultimately to be joined to the button. You will gather all this from plates of scroll. To obtain the peg holes, I mark at certain distances a guiding point, through which, at one side E and A, and on the other G and D, I bore preliminary holes with hand bit No. 12 (on tool plate), square, absolutely, through to the other cheek of peg-box. After all are done, in brace bit 29, position 28, I place taper bit 59, and cut, E, A, D, G, finishing approximately for pegs with tool 15. [Illustration: PLATE XXVI.] Then, before I fix the neck into the violin, I attach the fingerboard and nut--the latter in rough ebony, as I always work this neater with some wood over and above what I want. This fingerboard must be perfect in fit, put on with very hot, thin glue, and well cramped with three No. 11 cramps, having wood guard 31 over fingerboard for protection. When set and hard next day, I prepare the end incision for the neck to enter, and proper elevation of the ebony, so that the correct angle for a bridge of fair average height may be obtained. I give you what is a fair average height--one and three-eighths of an inch; but there is no absolute _rule_ as to this. What is here given is that which will suit the instrument just made, as I know by many constructed on similar lines. This height is got when the bridge is held down by the strings, and the measurement is from belly to middle of the arch of the bridge. Your fingerboard must be at such an angle when the neck is fixed, that the end of it near bridge must measure exactly thirteen-sixteenths of an inch from belly to top of ebony; by this means your bridge, as described, will be just a nice height for clean fingering of the strings. This brings me to fixing the neck, and I do it thus:--In the first place, I have to remember that the length from nut on the fingerboard, inner side, to the bridge, must be, when all is finished, t
PREV.   NEXT  
|<   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71  
72   73   74   75   76   >>  



Top keywords:

bridge

 

height

 

fingerboard

 

sixteenths

 

correct

 

obtained

 
square
 

perfect

 

average

 
strings

elevation

 

violin

 

eighths

 

absolute

 
incision
 

protection

 
cramped
 

cramps

 

proper

 

prepare


fingering
 

brings

 

fixing

 

finished

 

length

 
remember
 

thirteen

 

similar

 

constructed

 

instrument


measure

 

measurement

 

middle

 

required

 

ultimately

 
joined
 

obtain

 
scroll
 

plates

 

button


gather

 
bottom
 

mortice

 

ficult

 

manipulation

 

direct

 
previously
 

outline

 
inserted
 
distances