remedial measures are left undescribed."--_Musical News_.
"Mr. Petherick is a man of wide experience in violins, so his hints
about the treatment and care of the instrument are invaluable. His
imaginary interviews are both clever and amusing, and, moreover,
contain useful information of what to do, and avoid, in the
treatment of violins."--_Hereford Times_.
"THE STRAD" LIBRARY, No. XIII.
_Crown 8vo., Cloth, 2/6, Post Free, 2/9._
THE VIOLIN: Solo Playing, Soloists and Solos,
BY
WILLIAM HENLEY.
"Mr. William Henley is an excellent performer, and his book, 'The
Violin: Solo Playing, Soloists and Solos,' is the result of
considerable practice in the art he discusses.... The opening advice
to violin students, the insistence on tune first and then on tone,
the latter depending greatly for its excellence upon the correctness
of the former, is not only worth saying, but is said well, and with
conviction. Mr. Henley discriminates well between violinists:
Joachim, the classic; Carrodus, the plain; Sarasate, the neat and
elegant; and Wilhelmj, the fiery and bold.... The list of violin
concertos, given in the last chapter but one of the book, seems a
very complete one, and should be useful for purposes of
reference."--_The London and Provincial Music Trades Review_.
"For the student whose intention it is to make the violin a means of
livelihood--the professional soloist or orchestral player in
embryo--this little work, written in a spirit of obvious sincerity,
is well-nigh invaluable.... The chapters on 'Teaching and Studies,'
'The Artist,' 'Phrasing,' 'Conception,' and 'True Feeling,' are very
well written, and the whole work is worth careful and diligent
perusal."--_The Musical World_.
"The author of this book has thought much and deeply on the
fascinating subject of which he treats, and is entitled to a
hearing.... The author's remarks on 'Tone' are excellently
conceived, and of no small interest, the subject being less
hackneyed than that of ordinary technique. In his chapter on 'Style'
he reminds the readers of the many factors which go to the making of
a fine violinist, among which Style--which is the outcome of the
imagination and the sensibility of the player--is one of the most
important. The fine executant is common enough now-a-days, but the
fine stylist as rare as ever."--_Musical News_.
"THE STRAD" LIBRARY, No. XIV.
_Crown 8vo., Cloth, 2/6, Post Free, 2/9._
SELECTED VIOLIN SOLOS,
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