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of their removal, and thus we have in them one of the most notable links with the gorgeous past of Hampton Court. At the farther end of the Great Watching Chamber is a small room--the Horn Room--with stairs leading down to the cloisters and kitchens, and with the closed doorway giving on to the northern end of the dais in the Great Hall. Before passing on into the Orange part of the buildings, the State Rooms and Picture Galleries, we may retrace our steps to the outer court, at the north side of which, passing under an archway, we go through the delightful series of courts along the north side of the Palace--the Lord Chamberlain's Court, the Master Carpenter's Court, and others. Here are to be seen the narrow, irregular side courts of the old Tudor buildings, and remnants of the past in old lead water pipes, and in the heraldical beasts along the roof of the Great Hall which are most effectively seen from the Master Carpenter's Court, through which we gain access to the cloisters and the ancient kitchens. The kitchens, which unfortunately are not thrown open to the public, are much as they were in olden days, and afford a curious and interesting glimpse of old-time domestic conditions, with their great fireplaces and their "hatches", through which the dishes were passed to the servers whose duty it was to take them to the dining-hall. Continuing past the kitchens the passage turns to the right and comes out at the north-west angle of the Fountain Court, before reaching which point, however, the entrance to the Chapel is passed on the left. On either side of the Chapel door are to be seen, carved, coloured, and gilt, the arms of Henry the Eighth and Seymour with the initials of the King and the Queen (of the moment) united by a true lover's knot. The true lover's knot was but a slip knot to the fickle king, the Queen Jane's arms and cipher but replaced the earlier ones of Anne's. [Illustration: THE POND GARDEN] The present chapel was one of King Henry's additions--Wolsey's original chapel being either entirely demolished or so altered as to be made anew. It has been surmised that had the great Churchman's edifice remained it would have been something externally beautiful and notable, whereas the present building is so much hidden that I have more than once known visitors to point out the Great Hall as being the Chapel. If the King did not make much of the Chapel externally, he lavished attention on it internal
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