4

CHAPTER IX

Of the Adaptation of Line and Form in Design, in various materials and
methods--Mural Decoration--Fresco-work of the Italian Painters--
Modern Mural Work--Mural Spacing and Pattern Plans--Scale--The
Skirting--The Dado--Field of the Wall--The Frieze--Panelling--
Tapestry--Textile Design--Persian Carpets--Effect of Texture on
Colour--Prints--Wall-paper--Stained Glass 224

CHAPTER X

Of the Expression and Relief of Line and Form by _Colour_--Effect of
same Colour upon different Grounds--Radiation of Colour--White Outline
to clear Colours--Quality of Tints relieved upon other Tints--
Complementaries--Harmony--The Colour Sense--Colour Proportions--
Importance of Pure Tints--Tones and Planes--The Tone of Time--
Pattern and Picture--A Pattern not necessarily a Picture, but a
Picture in principle a Pattern--Chiaroscuro--Examples of Pattern-work
and Picture-work--Picture-patterns and Pattern-pictures 256

INDEX 283

LIST OF ILLUSTRATIONS

The Origin of Outline f002

Silhouettes f003

Coast and Mountain Lines--Gulf of Nauplia f004

Proportions of Roman Capital Letters and of lower-case f005a
German text. From Durer's "Geometrica"

The Progressive Method of Drawing in Line f006a

The Calligraphic Method f007a

The Tentative Method f007b

The Oval and Rectangular Methods f008

Lines of Characterization in the Form and Feature of f009
Flowers: Lily and Poppy

Silhouette of Beech Leaves and Line Rendering of the same f010a

Lines of Movement f010b

Effect of Wind upon Trees f011

Line Arrangement in ribbed Sea-sand f012

Lines of different Textures, Structures, and Services f013

Lines of Exaltation and Rejoicing in Unison. The Morning f014
Stars, after William Blake

Lines of Grief and Dejection: Designs from Flaxman's Homer