eman, and was favorably known to the literary circles
by the eloquence, wit, and feeling of his former productions. What those
productions were, I should have been rather puzzled to say, never having
read, or even heard of them. This, however, was the cant criticism of
the day, which is so exorbitant and unmeaning, and so universally cast
in one mould, that I was in some tribulation, on reading over the
article in print, to find that I had omitted the words, "native genius,"
which possesses a kind of common-law right to a place in all articles on
American literary productions. Forth, however, it went to the world, and
I experienced a philanthropic emotion in fancying how pleased the
little, hard-faced old gentleman would be with these flattering
encomiums on his "Thespian Magazine."
The very day my paper was out, as I was sitting "full fathom five" deep
in an article on "The Advantages of Virtue" (an interesting theme, upon
my views of which I rather flattered myself), I was startled by three
knocks at the door, and my "Come in" exhibited to view the broad-brimmed
hat of the hard-faced gentleman, with his breeches, buckles, gold-headed
cane and all. He laid aside his hat and cane with the air of a man who
has walked a great way, and means to rest himself a while. I was very
busy. It was one of my inspired moments. Half of a brilliant idea was
already committed to paper. There it lay--a fragment--a flower cut off
in the bud--a mere outline--an embryo; and my imagination cooling like a
piece of red-hot iron in the open air. I raised my eyes to the old
gentleman, with a look of solemn silence, retaining my pen ready for
action, with my little finger extended, and hinting, in every way, that
I was "not i' the vein." I kept my lips closed. I dipped the pen in the
inkstand several times, and held it hovering over the sheet. It would
not do. The old gentleman was not to be driven off his ground by shakes
of the pen, ink-drops, or little fingers. He fumbled about in his
pockets, and drew forth the red-covered "North American Thespian
Magazine," devoted to the drama, &c., number twelve. He wanted "a _good_
notice." The last was rather general. I had not specified its peculiar
claims upon the public. I had _copied_ nothing. That sort of critique
did no good. He begged me to _read_ this _carefully_--to _analyze_
it--to give it a _candid_ examination. I was borne down by his emphatic
manner; and being naturally of a civil deportmen
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