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eman, and was favorably known to the literary circles by the eloquence, wit, and feeling of his former productions. What those productions were, I should have been rather puzzled to say, never having read, or even heard of them. This, however, was the cant criticism of the day, which is so exorbitant and unmeaning, and so universally cast in one mould, that I was in some tribulation, on reading over the article in print, to find that I had omitted the words, "native genius," which possesses a kind of common-law right to a place in all articles on American literary productions. Forth, however, it went to the world, and I experienced a philanthropic emotion in fancying how pleased the little, hard-faced old gentleman would be with these flattering encomiums on his "Thespian Magazine." The very day my paper was out, as I was sitting "full fathom five" deep in an article on "The Advantages of Virtue" (an interesting theme, upon my views of which I rather flattered myself), I was startled by three knocks at the door, and my "Come in" exhibited to view the broad-brimmed hat of the hard-faced gentleman, with his breeches, buckles, gold-headed cane and all. He laid aside his hat and cane with the air of a man who has walked a great way, and means to rest himself a while. I was very busy. It was one of my inspired moments. Half of a brilliant idea was already committed to paper. There it lay--a fragment--a flower cut off in the bud--a mere outline--an embryo; and my imagination cooling like a piece of red-hot iron in the open air. I raised my eyes to the old gentleman, with a look of solemn silence, retaining my pen ready for action, with my little finger extended, and hinting, in every way, that I was "not i' the vein." I kept my lips closed. I dipped the pen in the inkstand several times, and held it hovering over the sheet. It would not do. The old gentleman was not to be driven off his ground by shakes of the pen, ink-drops, or little fingers. He fumbled about in his pockets, and drew forth the red-covered "North American Thespian Magazine," devoted to the drama, &c., number twelve. He wanted "a _good_ notice." The last was rather general. I had not specified its peculiar claims upon the public. I had _copied_ nothing. That sort of critique did no good. He begged me to _read_ this _carefully_--to _analyze_ it--to give it a _candid_ examination. I was borne down by his emphatic manner; and being naturally of a civil deportmen
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