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The Project Gutenberg EBook of The International Magazine, Volume 2, No. 3, February, 1851, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The International Magazine, Volume 2, No. 3, February, 1851 Author: Various Release Date: August 5, 2008 [EBook #26196] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK INTERNATIONAL MAGAZINE, FEBRUARY, 1851 *** Produced by Joshua Hutchinson, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by Cornell University Digital Collections.) THE INTERNATIONAL MAGAZINE Of Literature, Art, and Science. Vol. II. NEW-YORK, FEBRUARY 1, 1851. No. III Transcriber's Note: Minor typos have been corrected and footnotes moved to the end of the article. THOMAS CHATTERTON. [Illustration] In the history of English literature there is no name that inspires a profounder melancholy than that of the "marvellous boy" Chatterton, of whom it must be said that in genius he surpassed any one who ever died so young, and that in suffering he had larger experience than almost any one who has lived to old age. Shelley says of him: "'Mid others of less note came one frail form, A phantom among men; companionless As the last cloud of an expiring storm, Whose thunder is its knell; he, as I guess, Had gazed on Nature's naked loveliness, Aclaeon-like, and now he fled astray, With feeble steps o'er the world's wilderness, And his own thoughts along that rugged way Pursued, like raging hounds, their father and their prey." And Wordsworth, Coleridge, Keats, Byron, Southey, Scott, Kirke White, Landor, Montgomery, and others, have laid immortal flowers upon his tomb, to make the heart ache that we did not live in time to save the "sleepless soul" from "perishing in his pride." Of the genius of poor Chatterton, Campbell says, "I would rather lean to the utmost enthusiasm of his admirers, than to the cold opinion of those who are afraid of being blinded to the defects of the poems attributed to Rowley, by the veil of obsolete phraseology
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