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come." "Of course not, sir," said Bob genially. And then he and Dorothy just glanced at each other and laughed with a strange kind of joyousness that mystified the Dixons; but Eustace looked hard at Nesta and nodded meaningly. Bob's face was no longer haggard and drawn; it wore its old, habitual expression of steadfast happiness. The party did not break up till "disgracefully late," as Mr. Chase put it. Peter was carried by his mother asleep to bed. The twins and the Dixons felt so wide awake they fancied they would not close an eye all night. Mr. Chase laughed when he heard the story of the Sevres ornament. "I'm not surprised you were startled," he said kindly; "but please try to have something a little less valuable in your hands next ghost you meet." "Nesta," said Eustace, following his twin to her door, "what are you going to do now? Shall you tell mother?" "Tell mother what?" asked Nesta, with well-feigned astonishment. "Why, that you are miserable, and won't stay, and all that stuff," was the reply. "Of course not, silly," Nesta retorted. "Any one can see everything is going to be quite different now Aunt Dorothy has come." "Of course, silly," said Eustace, in a mocking tone, and they both laughed. "Good-night, you two," said a voice along the passage, and Herbert turned off into his own room. "I'm coming to brush my hair in your room to-night," said Brenda, bearing down upon them, brush and comb in hand. Eustace passed on. "It is all different already," he said softly. "I think Bob has been right all along--Aunt Dorothy has bewitched us, every one." THE END. End of Project Gutenberg's Queensland Cousins, by Eleanor Luisa Haverfield *** END OF THIS PROJECT GUTENBERG EBOOK QUEENSLAND COUSINS *** ***** This file should be named 25079.txt or 25079.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/5/0/7/25079/ Produced by Nick Wall, Jacqueline Jeremy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States
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