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of apples and peaches to make dried fruit. When them roots git right dry, him have them ground up fine as water-ground meal. He put de fine dust in a pot and boil it. When he want red cloth, he just drop de cloth in dat pot and it come out all red to suit you. Want it blue, him have a indigo patch for dat. "I never hear anything 'bout alum dese days. Well, de slaves could take peach tree leaves and alum and make yellow cloth and old cedar tops and copperas and make tan cloth. Walnut stain and copperas and make any cloth brown. Sweet-gum bark and copperas and make any cloth a purple color. I 'member goin' wid one into de woods to git barks. One day old marster come 'cross a slippery elm tree. Him turn and command me to say right fast: 'Long, slim, slick saplin' and when I say long, slim, sick slaplin', him 'most kill hisself laughin'. You try dat now! You find it more harder to say than you think it is. Him give me a piece of dat bark to chew and I run at de mouth lak you see a hoss dat been on de range of wild clover all night and slobberin' at da bits. "Yes sah, I b'longs to de church! My wife and son, Mingo, just us three in de house and de whole household jined de Morris Creek Baptist Church. What's my favorite song? None better than de one dat I'll h'ist right now. Go ahead? I thanks you. Listen: 'Am I born to die To lay dis body down A charge to keep I have A God to glorify.' "You lak dat? Yes? You is praisin' me too highly I 'spect, but since you lak dat one just listen at dis one; maybe you change your mind, 'cause I's gwine to h'ist it a wee bit higher and put more of de spiritual in it. Ready? Yes? I stand up dis time. 'All de medicine you may buy All de doctors you may try Ain't gonna save you from de tomb Some day you got to lay down and die. De blood of de Son can only Save you from de doom! Some day you got to lay down and die.' "You lak dat one? You just ought to hear my wife, Mingo, and Me, singin' dat 'round de fire befo' us go to bed. "Well, I'll toddle 'long now. Good-bye." Project, 1885-(1) Prepared by Annie Ruth Davis Place, Marion, S. C. Date, February 4, 1938 LIZZIE'S 'SPONSIBILITY I. The first scene of "Lizzie's 'Sponsibility" is that of the small, one room dwelling place of Lizzie Davis, aged colored woman of Marion, S. C. A disorderly, ill-lighted, crudely furnished room, saturated with the odor of food. Behind the front
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