ast of the writer's own
speculations. The splendid intellect of Gibbon for the most part kept
him true to the right course in this; yet the philosophical chapters for
which he has been most admired or censured may hereafter be thought the
least interesting in his work. The time has been when they would not
have been comprehended; the time may come when they will seem
commonplace.

It may be said, that in requiring history to be written like a drama, we
require an impossibility.

For history to be written with the complete form of a drama, doubtless
is impossible; but there are periods, and these the periods, for the
most part, of greatest interest to mankind, the history of which may be
so written that the actors shall reveal their characters in their own
words; where mind can be seen matched against mind, and the great
passions of the epoch not simply be described as existing, but be
exhibited at their white heat in the souls and hearts possessed by them.
There are all the elements of drama--drama of the highest order--where
the huge forces of the times are as the Grecian destiny, and the power
of the man is seen either stemming the stream till it overwhelms him, or
ruling while he seems to yield to it.

It is Nature's drama,--not Shakespeare's, but a drama none the less.

So at least it seems to me. Wherever possible, let us not be told
_about_ this man or that. Let us hear the man himself speak, let us see
him act, and let us be left to form our own opinions about him. The
historian, we are told, must not leave his readers to themselves. He
must not only lay the facts before them: he must tell them what he
himself thinks about those facts. In my opinion, this is precisely what
he ought not to do. Bishop Butler says somewhere, that the best book
which could be written would be a book consisting only of premises, from
which the readers should draw conclusions for themselves. The highest
poetry is the very thing which Butler requires, and the highest history
ought to be. We should no more ask for a theory of this or that period
of history, than we should ask for a theory of "Macbeth" or "Hamlet."
Philosophies of history, sciences of history,--all these there will
continue to be: the fashions of them will change, as our habits of
thought will change; each new philosopher will find his chief employment
in showing that before him no one understood any thing; but the drama of
history is imperishable, and the lessons of