o. 32*b
(Figs. 25-27) and especially the representation in Dr. 50a (Fig. 24),
which is very distinct. This head was evolved out of the conventional
drawing of the ear of maize; compare the pictures of the maize plant in
the Codex Tro., p. 29b (Fig. 22) with the head ornament of the god in
Dr. 9b (Fig. 23), 9a, 12a; what was originally a head ornament finally
passed into the form of the head itself, so that the latter appears now
as an ear of maize surrounded by leaves. Compare the pictures, Figs.
25-27. That these gods with elongated heads are, in point of fact,
identical with E is plainly seen from the passage in Dr. 2 (45)c (first
figure). There the figure represented, which is exactly like the pictures
in the Madrid manuscript, is designated explicitly as god E by the third
hieroglyph in the accompanying writing.
The hieroglyph of this deity is thus explained; it is the head of the god
merged into the conventionalized form of the ear of maize surrounded by
leaves. When we remember that the Maya nations practised the custom of
artificially deforming the skull, as is seen in particular on the reliefs
at Palenque, we may also regard the heads of these deities as
representations of such artificially flattened skulls.
God E occurs frequently as the god of husbandry, especially in the Madrid
manuscript, which devotes much attention to agriculture. He seems to be a
counterpart of the Mexican maize-god Centeotl. The passages in the Madrid
manuscript (Tro. 29a and Cort. 39a, 40a) are very remarkable, where
the deity E is represented in the position of a woman in labor with
numerals on the abdomen; perhaps the underlying idea is that of
fruitfulness.
In the Codex Cort., p. 40, this grain-deity is pictured with a tall and
slender vessel before him, which he holds in his hands. It is possible
that this is meant to suggest a grain receptacle; to be sure, in the same
place, other figures of gods likewise have such vessels in their hands.
At any rate, it is interesting to note that in the passage already
mentioned (Dr. 50a) god E also holds a similar tall and slender vessel
in his hands.
According to all appearances the scene pictured in Dr. 50a has reference
to the conflict of the grain-god with a death-deity. The latter, the
figure sitting on the right, is characterized by a skull as a head
ornament (see Fig. 6) and seems to address threats or commands to god E,
who stands before him in the attitude of a terrified and cow
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