is there too, but they, like the
former class, have no independent plot of their own, and no independent
operation against mankind; they only represent the invisible forces over
which Prospero must assert control if he would insure success for his
schemes. Ariel is, perhaps, one of the most extraordinary of all
Shakspere's creations. He is, indeed, formed upon a basis half fairy,
half devil, because it was only through the current notions upon
demonology that Shakspere could speak his ideas. But he certainly is not
a fairy in the sense that Puck is a fairy; and he is very far indeed
from bearing even a slight resemblance to the familiars whom the
magicians of the time professed to call from the vasty deep. He is
indeed but air, as Prospero says--the embodiment of an idea, the
representative of those invisible forces which operate as factors in the
shaping of events which, ignored, may prove resistant or fatal, but,
properly controlled and guided, work for good.[1] Lastly, there are the
heroes and heroine of the play, now no longer shadows, but the centres
of interest and admiration, and assuming their due position and
prominence.
[Footnote 1: It is difficult to accept Mr. Ruskin's view of Ariel as
"the spirit of generous and free-hearted service" (Mun. Pul. sec. 124);
he is throughout the play the more-than-half-unwilling agent of
Prospero.]
130. It is probable, therefore, that it is not merely a student's fancy
that in Prospero's storm-girt, spirit-haunted island can be seen
Shakspere's final and matured image of the mighty world. If this be so,
how far more bright and hopeful it is than the verdict which Mr. Ruskin
finds Shakspere to have returned. Man is no longer "a pipe for fortune's
fingers to sound what stop she please." The evil elements still exist in
the world, and are numerous and formidable; but man, by nobleness of
life and word, by patience and self-mastery, can master them, bring them
into subjection, and make them tend to eventual good. Caliban, the
gross, sensual, earthly element--though somewhat raised--would run riot,
and is therefore compelled to menial service. The brute force of
Stephano and Trinculo is vanquished by mental superiority. Even the
supermundane spirits, now no longer thirsting for the destruction of
body and soul, are bound down to the work of carrying out the decrees of
truth and justice. Man is no longer the plaything, but the master of his
fate; and he, seeing now the possible
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