g to get her to come in--what's that
on the door? Oh, yes, DANCE HALL--Flick, flick!

Well, say, that must be the inside of the dance hall
--they're dancing--see, look, look, there's one of the
girls going to get up and dance on the table.

Flick! Darn it!--they've cut it off--it's outside again
--it's Madeline and the Roo--she's saying something to
him--my! doesn't she look proud--?

"I WILL DIE RATHER THAN DANCE."

Isn't she splendid! Hear the audience applaud! Flick--it's
changed--it's Madeline's room again--that's the landlady
--doesn't she look hard, eh? What's this--Flick!

"IF YOU CANNOT PAY, YOU MUST
LEAVE TO-NIGHT."

Flick, flick--it's Madeline--she's out in the street--it's
snowing--she's sat down on a doorstep--say, see her
face, isn't if pathetic? There! They've put her face all
by itself on the screen. See her eyes move! Flick, flick!

Who's this? Where is it? Oh, yes, I get it--it's John--at
a police station--he's questioning them--how grave they
look, eh? Flick, flick!

"HAVE YOU SEEN A GIRL
IN NEW YORK?"

I guess that's what he asks them, eh? Flick, flick--

"NO, WE HAVE NOT."

Too bad--flick--it's changed again--it's Madeline on the
doorstep--she's fallen asleep--oh, say, look at that man
coming near to her on tiptoes, and peeking at her--why,
it's Edward, it's the Roo--but he doesn't waken her--what
does it mean? What's he after? Flick, flick--

Hullo--what's this?--it's night--what's this huge dark
thing all steel, with great ropes against the sky--it's
Brooklyn Bridge--at midnight--there's a woman on it!
It's Madeline--see! see! She's going to jump--stop her!
Stop her! Flick, flick--

Hullo! she didn't jump after all--there she is again on
the doorstep--asleep--how could she jump over Brooklyn
Bridge and still be asleep? I don't catch on--or, oh,
yes, I do--she _dreamed_ it--I see now, that's a great
scheme, eh?--shows her _dream_--

The picture's changed--what's this place--a saloon, I
guess--yes, there's the bartender, mixing drinks--men
talking at little tables--aren't they a tough-looking
lot?--see, that one's got a revolver--why, it's Edward
the Roo--talking with two men--he's giving them
money--what's this?--

"GIVE US A HUNDRED APIECE
AND WE'LL DO IT."

It's in the street again--Edward and one of the two toughs
--they've got little black masks on--they're sneaking
up to Madeline where she sleeps--they've got a big motor
drawn up beside them--lo