e people getting out of the motor and going
in--and another lot right after them--there's Madeline
--she's stopped outside the window--she's looking in--it's
starting to snow! Hullo! here's a man coming along! Why,
it's the Roo; he's stopping to talk to her, and pointing
in at the restaurant--Flick, flick!
"LET ME TAKE YOU IN HERE
TO DINNER."
Oh, I see! The Roo says that! My! I'm getting on to the
scheme of these things--the Roo is going to buy her some
dinner! That's decent of him. He must have heard about
her being hungry up in her room--say, I'm glad he came
along. Look, there's a waiter come out to the door to
show them in--what! she won't go! Say! I don't understand!
Didn't it say he offered to take her in? Flick, flick!
"I WOULD RATHER DIE
THAN EAT IT."
Gee! Why's that? What are all the audience applauding
for? I must have missed something! Flick, flick!
Oh, blazes! I'm getting lost! Where is she now? Back in
her room--flick, flick--praying--flick, flick! She's out
on the street!--flick, flick!--in the employment bureau
--flick, flick!--out of it--flick--darn the thing! It
changes too much--where is it all? What is it all--?
Flick, flick!
Now it's back at the old farm--I understand that all
right, anyway! Same kitchen--same old man--same old
woman--she's crying--who's this?--man in a sort of
uniform--oh, I see, rural postal delivery--oh, yes, he
brings them their letters--I see--
"NO, MR. MEADOWLARK,
I AM SORRY,
I HAVE STILL NO LETTER
FOR YOU..."
Flick! It's gone! Flick, flick--it's Madeline's room
again--what's she doing?--writing a letter?--no, she's
quit writing--she's tearing it up--
"I CANNOT WRITE.
IT WOULD BREAK THEIR ..."
Flick--missed it again! Break their something or other
--Flick, flick!
Now it's the farm again--oh, yes, that's the young man
John Holdfast--he's got a valise in his hand--he must be
going away--they're shaking hands with him--he's saying
something--
"I WILL FIND HER FOR YOU
IF I HAVE TO SEARCH
ALL NEW YORK."
He's off--there he goes through the gate--they're waving
good-bye--flick--it's a railway depot--flick--it's New
York--say! That's the Grand Central Depot! See the people
buying tickets! My! isn't it lifelike?--and there's
John--he's got here all right--I hope he finds her room--
The picture changed--where is it now? Oh, yes, I see
--Madeline and the Roo--outside a street entrance to some
place--he's tryin
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