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The Project Gutenberg eBook, Sacred And Profane Love , by E. Arnold Bennett This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Sacred And Profane Love Author: E. Arnold Bennett Release Date: February 28, 2004 [eBook #11360] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK SACRED AND PROFANE LOVE *** E-text prepared by Jonathan Ingram, Mary Meehan, and the Project Gutenberg Online Distributed Proofreading Team SACRED AND PROFANE LOVE A NOVEL IN THREE EPISODES BY ARNOLD BENNETT 1905 TO MY FRIEND EDEN PHILLPOTTS THE NOVELIST FOR WHOM MAN AND NATURE ARE INSEPARABLE WITH PROFOUND RESPECT FOR THE CLASSICAL DIGNITY OF HIS AIM AND EQUAL ADMIRATION FOR THE AUSTERE SPLENDOUR OF HIS PERFORMANCE CONTENTS PART I IN THE NIGHT PART II THREE HUMAN HEARTS PART III THE VICTORY _'How I have wept, the long night through, over the poor women of the past, so beautiful, so tender, so sweet, whose arms have opened for the kiss, and who are dead! The kiss--it is immortal! It passes from lip to lip, from century to century, from age to age. Men gather it, give it back, and die.'_--GUY DE MAUPASSANT. SACRED AND PROFANE LOVE PART I IN THE NIGHT I For years I had been preoccupied with thoughts of love--and by love I mean a noble and sensuous passion, absorbing the energies of the soul, fulfilling destiny, and reducing all that has gone before it to the level of a mere prelude. And that afternoon in autumn, the eve of my twenty-first birthday, I was more deeply than ever immersed in amorous dreams. I, in my modern costume, sat down between two pairs of candles to the piano in the decaying drawing-room, which like a spinster strove to conceal its age. A generous fire flamed in the wide grate behind me: warmth has always been to me the first necessary of life. I turned round on the revolving stool and faced the fire, and felt it on my cheeks, and I asked myself: 'Why am I affected like this? Why am I what I am?' For even before beginning to play the Fantasia of Chopin, I was moved, and the tears had come into my eyes, and the shudder to my spine. I gazed at the room inquiringly
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