a stonecutter. Vainly did
Granacci explain the difference between a sculptor and a stone-cutter:
all his arguments seemed thrown away. Nevertheless, when Lodovico
appeared before the Magnificent, and was asked if he would consent to
give his son up to the great man's guardianship, he did not know how
to refuse. 'In faith,' he added, 'not Michelangelo alone, but all of
us, with our lives and all our abilities, are at the pleasure of your
Magnificence!' When Lorenzo asked what he desired as a favour to
himself, he answered: 'I have never practised any art or trade, but
have lived thus far upon my modest income, attending to the little
property in land which has come down from my ancestors; and it has
been my care not only to preserve these estates, but to increase them
so far as I was able by my industry.' The Magnificent then added:
'Well, look about, and see if there be anything in Florence which will
suit you. Make use of me, for I will do the utmost that I can for
you.' It so happened that a place in the Customs, which could only be
filled by a Florentine citizen, fell vacant shortly afterwards. Upon
this Lodovico returned to the Magnificent, and begged for it in these
words: 'Lorenzo, I am good for nothing but reading and writing. Now,
the mate of Marco Pucci in the Customs having died, I should like to
enter into this office, feeling myself able to fulfil its duties
decently.' The Magnificent laid his hand upon his shoulder, and said
with a smile: 'You will always be a poor man;' for he expected him to
ask for something far more valuable. Then he added: 'If you care to be
the mate of Marco, you can take the post, until such time as a better
becomes vacant.' It was worth eight crowns the month, a little more or
a little less." A document is extant which shows that Lodovico
continued to fill this office at the Customs till 1494, when the heirs
of Lorenzo were exiled; for in the year 1512, after the Medici
returned to Florence, he applied to Giuliano, Duke of Nemours, to be
reinstated in the same.

If it is true, as Vasari asserts, that Michelangelo quitted
Ghirlandajo in 1489, and if Condivi is right in saying that he only
lived in the Casa Medici for about two years before the death of
Lorenzo, April 1492, then he must have spent some twelve months
working in the gardens at San Marco before the Faun's mask called
attention to his talents. His whole connection with Lorenzo, from the
spring of 1489 to the spring of 1