are
Borgia, who presented it to Guidobaldo di Montefeltro, Duke of Urbino.
On the 30th of June 1502, the Marchioness of Mantua wrote a letter to
the Cardinal of Este, saying that she should very much like to place
this piece, together with an antique statuette of Venus, both of which
had belonged to her brother-in-law, the Duke of Urbino, in her own
collection. Apparently they had just become the property of Cesare
Borgia, when he took and sacked the town of Urbino upon the 20th of
June in that year. Cesare Borgia seems to have complied immediately
with her wishes; for in a second letter, dated July 22, 1502, she
described the Cupid as "without a peer among the works of modern
times."

IV

Michelangelo arrived in Rome at the end of June 1496. This we know
from the first of his extant letters, which is dated July 2, and
addressed to Lorenzo di Pierfrancesco de' Medici. The superscription,
however, bears the name of Sandro Botticelli, showing that some
caution had still to be observed in corresponding with the Medici,
even with those who latterly assumed the name of Popolani. The young
Buonarroti writes in excellent spirits: "I only write to inform you
that last Saturday we arrived safely, and went at once to visit the
Cardinal di San Giorgio; and I presented your letter to him. It
appeared to me that he was pleased to see me, and he expressed a wish
that I should go immediately to inspect his collection of statues. I
spent the whole day there, and for that reason was unable to deliver
all your letters. Afterwards, on Sunday, the Cardinal came into the
new house, and had me sent for. I went to him, and he asked what I
thought about the things which I had seen. I replied by stating my
opinion, and certainly I can say with sincerity that there are many
fine things in the collection. Then he asked me whether I had the
courage to make some beautiful work of art. I answered that I should
not be able to achieve anything so great, but that he should see what
I could do. We have bought a piece of marble for a life-size statue,
and on Monday I shall begin to work."

After describing his reception, Michelangelo proceeds to relate the
efforts he was making to regain his Sleeping Cupid from Messer
Baldassare: "Afterwards, I gave your letter to Baldassare, and asked
him for the child, saying I was ready to refund his money. He answered
very roughly, swearing he would rather break it in a hundred pieces;
he had bought the child,