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cter they take a general outline of it from some real person of their acquaintance, and then idealize and complete it to suit their purpose. A novel will be of a high and noble order, the more it represents of inner, and the less it represents of outer, life; and the ratio between the two will supply a means of judging any novel, of whatever kind, from _Tristram Shandy_ down to the crudest and most sensational tale of knight or robber. _Tristram Shandy_ has, indeed, as good as no action at all; and there is not much in _La Nouvelle Heloise_ and _Wilhelm Meister_. Even _Don Quixote_ has relatively little; and what there is, very unimportant, and introduced merely for the sake of fun. And these four are the best of all existing novels. Consider, further, the wonderful romances of Jean Paul, and how much inner life is shown on the narrowest basis of actual event. Even in Walter Scott's novels there is a great preponderance of inner over outer life, and incident is never brought in except for the purpose of giving play to thought and emotion; whereas, in bad novels, incident is there on its own account. Skill consists in setting the inner life in motion with the smallest possible array of circumstance; for it is this inner life that really excites our interest. The business of the novelist is not to relate great events, but to make small ones interesting. History, which I like to think of as the contrary of poetry [Greek: istoroumenon--pepoiaemenon], is for time what geography is for space; and it is no more to be called a science, in any strict sense of the word, than is geography, because it does not deal with universal truths, but only with particular details. History has always been the favorite study of those who wish to learn something, without having to face the effort demanded by any branch of real knowledge, which taxes the intelligence. In our time history is a favorite pursuit; as witness the numerous books upon the subject which appear every year. If the reader cannot help thinking, with me, that history is merely the constant recurrence of similar things, just as in a kaleidoscope the same bits of glass are represented, but in different combinations, he will not be able to share all this lively interest; nor, however, will he censure it. But there is a ridiculous and absurd claim, made by many people, to regard history as a part of philosophy, nay, as philosophy itself; they imagine that history can t
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