he resistance of the
rocks, and, curling over into a long green cylinder, brings its head
down with terrific force on the immovable side of the Brig. Columns of
water shoot up perpendicularly into the air as though a dozen 12-inch
shells had exploded in the water simultaneously. With a roar the
imprisoned air escapes, and for a moment the whole Brig is invisible in
a vast cloud of spray; then dark ledges of rock can be seen running
with creamy water, and the scene of the impact is a cauldron of
seething foam, backed by a smooth surface of pale green marble, veined
with white. Then the waters gather themselves together again, and the
pounding of lesser waves keeps up a thrilling spectacle until the
moment for another great _coup_ arrives.
Years ago Filey obtained a reputation for being 'quiet,' and the sense
conveyed by those who disliked the place was that of dullness and
primness. This fortunate chance has protected the little town from the
vulgarizing influences of the unlettered hordes let loose upon the
coast in summer-time, and we find a sea-front without the flimsy
meretricious buildings of the popular resorts. Instead of imitating
Blackpool and Margate, this sensible place has retained a quiet and
semi-rural front to the sea, and, as already stated, has not marred its
appearance with a jetty.
From the smooth sweep of golden sand rises a steep slope grown over
with trees and bushes which shade the paths in many places. Without
claiming any architectural charm, the town is small and quietly
unobtrusive, and has not the untidy, half-built character of so many
watering-places.
Above a steep and narrow hollow, running straight down to the sea, and
densely wooded on both sides, stands the church. It has a very sturdy
tower rising from its centre, and, with its simple battlemented outline
and slit windows, has a semi-fortified appearance. The high
pitched-roofs of Early English times have been flattened without
cutting away the projecting drip-stones on the tower, which remain a
conspicuous feature. The interior is quite impressive. Round columns
alternated with octagonal ones support pointed arches, and a clerestory
above pierced with roundheaded slits, indicating very decisively that
the nave was built in the Transitional Norman period. It appears that a
western tower was projected, but never carried out, and an unusual
feature is the descent by two steps into the chancel.
A beautiful view from the churchyard
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