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an the yellow leaves that are just beginning to flutter from the trees. The splendid church, the tombs, and even the very family of Scrope, have disappeared; but across the hills, in the valley of the Ure, their castle still stands, and in the little church of Wensley there can still be seen the parclose screen of Perpendicular date that one of the Scropes must have rescued when the monastery was being stripped and plundered. The fine gate-house of Easby Abbey, which is in a good state of preservation, stands a little to the east of the parish church, and the granary is even now in use. On the sides of the parvise over the porch of the parish church are the arms of Scrope, Conyers, and Aske; and in the chancel of this extremely interesting old building there can be seen a series of wall-paintings, some of which probably date from the reign of Henry III. This would make them earlier than those at Pickering. CHAPTER XII SWALEDALE There is a certain elevated and wind-swept spot, scarcely more than a long mile from Richmond, that commands a view over a wide extent of romantic country. Vantage-points of this type, within easy reach of a fair-sized town, are inclined to be overrated, and, what is far worse, to be spoiled by the litter of picnic parties; but Whitcliffe Scar is free from both objections. In magnificent September weather one may spend many hours in the midst of this great panorama without being disturbed by a single human being, besides a possible farm labourer or shepherd; and if scraps of paper and orange-peel are ever dropped here, the keen winds that come from across the moors dispose of them as efficaciously as the keepers of any public parks. The view is removed from a comparison with many others from the fact that one is situated at the dividing-line between the richest cultivation and the wildest moorlands. Whitcliffe Scar is the Mount Pisgah from whence the jaded dweller in towns can gaze into a promised land of solitude, 'Where things that own not man's dominion dwell, And mortal foot hath ne'er or rarely been.' The eastward view of green and smiling country is undeniably beautiful, but to those who can appreciate Byron's enthusiasm for the trackless mountain there is something more indefinable and inspiring in the mysterious loneliness of the west. The long, level lines of the moorland horizon, when the sun is beginning to climb downwards, are cut out in the softest blue
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