an the yellow leaves that are
just beginning to flutter from the trees. The splendid church, the
tombs, and even the very family of Scrope, have disappeared; but across
the hills, in the valley of the Ure, their castle still stands, and in
the little church of Wensley there can still be seen the parclose
screen of Perpendicular date that one of the Scropes must have rescued
when the monastery was being stripped and plundered.
The fine gate-house of Easby Abbey, which is in a good state of
preservation, stands a little to the east of the parish church, and the
granary is even now in use.
On the sides of the parvise over the porch of the parish church are the
arms of Scrope, Conyers, and Aske; and in the chancel of this extremely
interesting old building there can be seen a series of wall-paintings,
some of which probably date from the reign of Henry III. This would
make them earlier than those at Pickering.
CHAPTER XII
SWALEDALE
There is a certain elevated and wind-swept spot, scarcely more than a
long mile from Richmond, that commands a view over a wide extent of
romantic country. Vantage-points of this type, within easy reach of a
fair-sized town, are inclined to be overrated, and, what is far worse,
to be spoiled by the litter of picnic parties; but Whitcliffe Scar is
free from both objections. In magnificent September weather one may
spend many hours in the midst of this great panorama without being
disturbed by a single human being, besides a possible farm labourer or
shepherd; and if scraps of paper and orange-peel are ever dropped here,
the keen winds that come from across the moors dispose of them as
efficaciously as the keepers of any public parks.
The view is removed from a comparison with many others from the fact
that one is situated at the dividing-line between the richest
cultivation and the wildest moorlands. Whitcliffe Scar is the Mount
Pisgah from whence the jaded dweller in towns can gaze into a promised
land of solitude,
'Where things that own not man's dominion dwell,
And mortal foot hath ne'er or rarely been.'
The eastward view of green and smiling country is undeniably beautiful,
but to those who can appreciate Byron's enthusiasm for the trackless
mountain there is something more indefinable and inspiring in the
mysterious loneliness of the west. The long, level lines of the
moorland horizon, when the sun is beginning to climb downwards, are cut
out in the softest blue
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