e happened to him--some great opening out and development,
which caused a sudden appearance on the surface of hitherto latent,
unworkable powers. This forcing-process took place at his first
contact with the war of life; and though he bore the scars of the
encounter as long as he lived, he grew by its clash, ferment, and
disaster to his full stature. In "La Maison du Chat-qui-pelote,"
"Illusions Perdues," and "Cesar Birotteau" he gives different phases
of this life, spent partly in the printer's office and partly in the
streets, rushing anxiously from place to place and from person to
person, trying vainly by interviews to avert the impending ruin.
Matters seemed, however, quite hopeless; but when, towards the end of
1827, an opportunity occurred of becoming possessed of a type-foundry,
the partners, perhaps with the desperation of despair, did not
hesitate to avail themselves of it. This new acquisition naturally
only appeared likely to precipitate the catastrophe, and Barbier
prepared to leave the sinking ship. At this juncture Madame de Berny
came forward with substantial help, and allowed her name to appear as
partner in his place. However, even this assistance did not long avert
disaster--bankruptcy was impending, and Madame de Berny and Laure
implored Madame de Balzac to prevent this. The latter, wishing at all
costs to keep the matter from the ears of her husband, now a very old
man and failing in health, begged a cousin, M. Sedillot, to come
forward, and at least to save the honour of the family. M. Sedillot,
who appears to have been a good man of business, at once set gallantly
to work to disentangle the embroglio, and to free Honore from its
meshes. As a result of his efforts, the printing-press was sold to M.
Laurent, and the type-foundry became the property of the De Bernys,
under whom it was highly successful. At the same time, to save Honore
from disgrace, Madame de Balzac lent 37,000 francs and Madame de Berny
45,000, the latter sum being paid back in full by Balzac in 1836, the
year of Madame de Berny's death. "Without her I should be dead," he
tells Madame Hanska. He was most anxious not to sell the type-foundry,
and his parents have been severely criticised for their refusal to
provide further funds for the purpose of carrying on that and the
printing-office.
This blame seems a little unfair. It is true that, after Balzac had
been obliged, to his intense grief, to part with both businesses at a
los
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