wer their armorial bearings before
him, who is a Gaul, and more--a Gaul of an old family! In fact, this
name 'De Balzac' is a patronymic name (patronymically ridiculous and
Gaulish). He has always been De Balzac, only that! while the
Montmorencies--those unfortunate Montmorencies--were formerly called
Bouchard; and the Bourbons--a secondary family who are neither
patronymic nor Gaulish (of old Gaulish family is of course understood)
were called Capet. M. de Balzac is therefore more noble than the
King!"
Towards the end, rage renders the talented writer slightly incoherent,
and we can imagine a blotted and illegible manuscript; but the
question raised is an interesting one, and Balzac attached great
importance to it. A favourite form of spite with his enemies was to
adopt the same measures as did this writer, who, except in the title,
calls him throughout "M. Balzac," a form of insult which possessed the
double advantage of imposing no strain on the mind of the attacking
party, and yet of hitting the victim on a peculiarly tender spot.
Balzac's statement that he was entered "De Balzac" on the register of
his birth is on the face of it untrue, as he was born on the 2nd
Prairial of the year VII., a time when all titles were proscribed; so
that the omission of the "de" means nothing, while his contention that
he dropped the "de" in 1826, because he would not soil his noble name
by associating it with trade, might very easily be correct.
Unfortunately, however, for Balzac's argument, when old M. Balzac
died, on June 19th, 1829, he was described in the register as Bernard
Francois Balzac, without the "de." He does not even seem to have stood
on his rights during his lifetime, as in 1826, after the death of
Laurence, who had become Madame de Montzaigle--it must have been a
satisfaction to the Balzac family to have one indisputable "de" among
them--cards were sent out in the names of M. and Madame Balzac, M. and
Madame Surville, and MM. Honore and Henri Balzac.
Still, it might be possible for us to maintain, if it so pleased us,
that, in spite of certain evidence to the contrary, the Balzacs were
simple, unpretentious people, who, having dropped the "de" at the time
of the Revolution, did not care to resume it; but here M. Edmond Bire,
who furnishes us with the information already given, completely cuts
the ground away from under our feet. It appears that M. Charles
Portal, the well-known antiquary, has in his researches
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