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wer their armorial bearings before him, who is a Gaul, and more--a Gaul of an old family! In fact, this name 'De Balzac' is a patronymic name (patronymically ridiculous and Gaulish). He has always been De Balzac, only that! while the Montmorencies--those unfortunate Montmorencies--were formerly called Bouchard; and the Bourbons--a secondary family who are neither patronymic nor Gaulish (of old Gaulish family is of course understood) were called Capet. M. de Balzac is therefore more noble than the King!" Towards the end, rage renders the talented writer slightly incoherent, and we can imagine a blotted and illegible manuscript; but the question raised is an interesting one, and Balzac attached great importance to it. A favourite form of spite with his enemies was to adopt the same measures as did this writer, who, except in the title, calls him throughout "M. Balzac," a form of insult which possessed the double advantage of imposing no strain on the mind of the attacking party, and yet of hitting the victim on a peculiarly tender spot. Balzac's statement that he was entered "De Balzac" on the register of his birth is on the face of it untrue, as he was born on the 2nd Prairial of the year VII., a time when all titles were proscribed; so that the omission of the "de" means nothing, while his contention that he dropped the "de" in 1826, because he would not soil his noble name by associating it with trade, might very easily be correct. Unfortunately, however, for Balzac's argument, when old M. Balzac died, on June 19th, 1829, he was described in the register as Bernard Francois Balzac, without the "de." He does not even seem to have stood on his rights during his lifetime, as in 1826, after the death of Laurence, who had become Madame de Montzaigle--it must have been a satisfaction to the Balzac family to have one indisputable "de" among them--cards were sent out in the names of M. and Madame Balzac, M. and Madame Surville, and MM. Honore and Henri Balzac. Still, it might be possible for us to maintain, if it so pleased us, that, in spite of certain evidence to the contrary, the Balzacs were simple, unpretentious people, who, having dropped the "de" at the time of the Revolution, did not care to resume it; but here M. Edmond Bire, who furnishes us with the information already given, completely cuts the ground away from under our feet. It appears that M. Charles Portal, the well-known antiquary, has in his researches
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