lumns called the crypt of les Gros-Piliers, and above it
there afterwards appeared the splendid Gothic choir. The flamboyant tracery
of the windows is filled with plain green leaded glass, and the fact that
the recent restoration has left the church absolutely bare of any
ecclesiastical paraphernalia gives one a splendid opportunity of studying
this splendid work of the fifteenth century. The nave of the church has
still to undergo the process of restoration, for at the present time the
fraudulent character of its stone-vaulted roof is laid bare by the most
casual glance, for at the unfinished edge adjoining the choir one may see
the rough lath and plaster which for a long time must have deceived the
visitors who have gazed at the lofty roof. The western end of the building
is an eighteenth century work, although to glance at the great patches of
orange-coloured lichen that spread themselves over so much of the
stone-work, it would be easy to imagine that the work was of very great
antiquity. In earlier times there were some further bays belonging to the
nave beyond the present west front in the space now occupied by an open
platform. There is a fine view from this position, but it is better still
if one climbs the narrow staircase from the choir leading up to the
asphalted walk beneath the flying buttresses.

About the middle of the fourteenth century, Tiphaine de Raguenel, the wife
of Bertrand du Guesclin, that splendid Breton soldier, came from Pontorson
and made her home at Mont St Michel, in order not to be kept as a prisoner
by the English. There are several facts recorded that throw light on the
character of this noble lady, sometimes spoken of as "The Fair Maid of
Dinan." She had come to admire Du Guesclin for his prowess in military
matters, and her feeling towards him having deepened, she had no hesitation
in accepting his offer of marriage. It appears that Du Guesclin after this
most happy event--for from all we are able to discover Tiphaine seems to
have shared his patriotic ideals--was inclined to remain at home rather
than to continue his gallant, though at times almost hopeless struggle
against the English. Although it must have been a matter of great
self-renunciation on her part, Tiphaine felt that it would be much against
her character for her to have any share in keeping her husband away from
the scene of action, and by every means in her power she endeavoured to
re-animate his former enthusiasm. In thi