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ser round him. "My word!" the man was heard to say, "Although I like not such abuse, it's Not strange the wind is strong to-day, It always is in Massachusetts. Such weather threatens much the health of Inhabitants this Commonwealth of." The sun, emerging from a rift Between the clouds, observed the victim, And how the wind beset and biffed, Belabored, buffeted, and kicked him. Said he, "This wind is doubtless new here: 'Tis quite the freshest ever blew here." And then he put forth all his strength, His warmth with might and main exerted, Till upward in its tube at length The mercury most nimbly spurted. Phenomenal the curious sight was, So swift the rise in Fahrenheit was. The man supposed himself at first The prey of some new mode of smelting: His pulses were about to burst, His every limb seemed slowly melting, And, as the heat began to numb him, He cast the ulster wildly from him. "Impulsive breeze, the use of force," Observed the sun, "a foolish act is, Perceiving which, you see, of course. How highly efficacious tact is." The wondering wind replied, "Good gracious! You're right about the efficacious." THE MORAL deals, as morals do, With tact, and all its virtues boasted, But still I can't forget, can you, That wretched man, first chilled, then roasted? Bronchitis seized him shortly after, And that's no cause for vulgar laughter. THE END End of Project Gutenberg's Fables for the Frivolous, by Guy Whitmore Carryl *** END OF THIS PROJECT GUTENBERG EBOOK FABLES FOR THE FRIVOLOUS *** ***** This file should be named 6438.txt or 6438.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/6/4/3/6438/ Produced by Steve Schulze, Charles Franks and the Online Distributed Proofreading Team. The scans for this book are from the Michigan State University Online Digital Collection http://digital.lib.msu.edu/onlinecolls/collection.cfm?CID=3 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copy
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