ight. He had gone out shortly after we
left, and had not waited for the doctor. She was greatly worried."

Hodder found himself discussing these matters on which, an hour before,
he had feared to permit his mind to dwell. And presently, not without
feeling, but in a manner eliminating all account of his personal
emotions, he was relating that climactic episode of the woman at the
piano. The old gentleman listened intently, and in silence.

"Yes," he said, when the rector had finished, "that is my observation.
Most of them are driven to the life, and held in it, of course, by a
remorseless civilization. Individuals may be culpable, Mr. Hodder--are
culpable. But we cannot put the whole responsibility on individuals."

"No," Hodder assented, "I can see that now." He paused a moment, and as
his mind dwelt upon the scene and he saw again the woman standing before
him in bravado, the whole terrible meaning of her life and end flashed
through him as one poignant sensation. Her dauntless determination to
accept the consequence of her acts, her willingness to look her future
in the face, cried out to him in challenge.

"She refused unconditionally," he said.

Mr. Bentley seemed to read his thought, divine his appeal.

"We must wait," he answered.

"Do you think?--" Hodder began, and stopped abruptly.

"I remember another case, somewhat similar," said Mr. Bentley. "This
woman, too, had the spirit you describe--we could do nothing with
her. We kept an eye on her--or rather Sally Grover did--she deserves
credit--and finally an occasion presented itself."

"And the woman you speak of was--rehabilitated?" Hodder asked. He
avoided the word "saved."

"Yes, sir. It was one of the fortunate cases. There are others which are
not so fortunate."

Hodder nodded.

"We are beginning to recognize that we are dealing, in, many instances,
with a disease," Mr. Bentley went on. "I am far from saying that it
cannot be cured, but sometimes we are forced to admit that the cure is
not within our power, Mr. Hodder."

Two thoughts struck the rector simultaneously, the revelation of what
might be called a modern enlightenment in one of Mr. Bentley's age,
an indication of uninterrupted growth, of the sense of continued youth
which had impressed him from the beginning; and, secondly, an intimation
from the use of the plural pronoun we, of an association of workers
(informal, undoubtedly) behind Mr. Bentley. While he was engaged in
these spec