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ees. It was then that her voice or some movement brought to Jeremy's eyes so vividly the figure of their old gardener, Jordan, that he turned round to Uncle Samuel, and suddenly grasping that gentleman's fat thigh, exclaimed convulsively: "Why, she's a man!" What a strange topsy-turvy world this was in which women were men, and shops turned (as with a sudden creaking and darkness and clattering did this one) into gardens by the sea. Jeremy drew his breath deeply and held on. His mouth was open and his hair on end.. . It is impossible to define exactly Jeremy's ultimate impression as the entertainment proceeded. Perhaps he had no ultimate impression. It cannot in reality have been a very wonderful Pantomime. Even at Drury Lane thirty years back there were many things that they did not know, and it is not likely that a touring company fitted into so inadequate an old building as our Assembly Rooms would have provided anything very fine. But Jeremy will never again discover so complete a realisation for his illusions. Whatever failures in the presentation there were, he himself made good. As a finale to the first half of the entertainment there was given Dick's dream at the Cross-Roads. He lay on the hard ground, his head upon his bundle, the cat as large as he watching sympathetically beside him. In the distance were the lights of London, and then, out of the half dusk, fairies glittering with stars and silver danced up and down the dusky road whilst all the London bells rang out "Turn again, Whittington, Lord Mayor of London." Had Jeremy been of the age and wisdom of Uncle Samuel he would have discovered that Dick was a stout lady and probably the mother of a growing family; that the fairies knew as much about dancing as the Glebeshire wives sitting on the bench behind; that the London bells were two hand instruments worked by a youth in shirt sleeves behind the scenes so energetically that the High Road and the painted London blew backwards and forwards in sympathy with his movements. Jeremy, happily, was not so worldly wise as his uncle. This scene created for him then a tradition of imperishable beauty that would never fade again. The world after that night would be a more magical place than it had ever been before. "Turn again, Whittington" continued the education that the Toy Village and Hamlet had already advanced. When the gas rose once again, sizzling like crackling bacon, he was white with excitement.
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