means Morghen's, or the Father of his Country,
or the old General, or the Defender of the Constitution, or an unknown
clergyman with an open book before him,--these were the usual ornaments
of the walls, the first two a matter of rigor, the others according to
politics and other tendencies.
This intermediate class of houses, wherever one finds them in New
England towns, are very apt to be cheerless and unsatisfactory. They
have neither the luxury of the mansion-house nor the comfort of the
farm-house. They are rarely kept at an agreeable temperature. The
mansion-house has large fireplaces and generous chimneys, and is open
to the sunshine. The farm-house makes no pretensions, but it has a good
warm kitchen, at any rate, and one can be comfortable there with the
rest of the family, without fear and without reproach. These lesser
country-houses of genteel aspirations are much given to patent
subterfuges of one kind and another to get heat without combustion. The
chilly parlor and the slippery hair-cloth seat take the life out of the
warmest welcome. If one would make these places wholesome, happy, and
cheerful, the first precept would be,--The dearest fuel, plenty of it,
and let half the heat go up the chimney. If you can't afford this, don't
try to live in a "genteel" fashion, but stick to the ways of the honest
farm-house.
There were a good many comfortable farm-houses scattered about Rockland.
The best of them were something of the following pattern, which is too
often superseded of late by a more pretentious, but infinitely less
pleasing kind of rustic architecture. A little back from the road,
seated directly on the green sod, rose a plain wooden building, two
stories in front, with a long roof sloping backwards to within a few
feet of the ground. This, like the "mansion-house," is copied from an
old English pattern. Cottages of this model may be seen in Lancashire,
for instance, always with the same honest, homely look, as if their
roofs acknowledged their relationship to the soil out of which they
sprung. The walls were unpainted, but turned by the slow action of sun
and air and rain to a quiet dove or slate color. An old broken millstone
at the door,--a well-sweep pointing like a finger to the heavens, which
the shining round of water beneath looked up at like a dark unsleeping
eye,--a single large elm a little at one side,--a barn twice as big as
the house,--a cattle-yard, with
"The white horns tossin
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