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means Morghen's, or the Father of his Country, or the old General, or the Defender of the Constitution, or an unknown clergyman with an open book before him,--these were the usual ornaments of the walls, the first two a matter of rigor, the others according to politics and other tendencies. This intermediate class of houses, wherever one finds them in New England towns, are very apt to be cheerless and unsatisfactory. They have neither the luxury of the mansion-house nor the comfort of the farm-house. They are rarely kept at an agreeable temperature. The mansion-house has large fireplaces and generous chimneys, and is open to the sunshine. The farm-house makes no pretensions, but it has a good warm kitchen, at any rate, and one can be comfortable there with the rest of the family, without fear and without reproach. These lesser country-houses of genteel aspirations are much given to patent subterfuges of one kind and another to get heat without combustion. The chilly parlor and the slippery hair-cloth seat take the life out of the warmest welcome. If one would make these places wholesome, happy, and cheerful, the first precept would be,--The dearest fuel, plenty of it, and let half the heat go up the chimney. If you can't afford this, don't try to live in a "genteel" fashion, but stick to the ways of the honest farm-house. There were a good many comfortable farm-houses scattered about Rockland. The best of them were something of the following pattern, which is too often superseded of late by a more pretentious, but infinitely less pleasing kind of rustic architecture. A little back from the road, seated directly on the green sod, rose a plain wooden building, two stories in front, with a long roof sloping backwards to within a few feet of the ground. This, like the "mansion-house," is copied from an old English pattern. Cottages of this model may be seen in Lancashire, for instance, always with the same honest, homely look, as if their roofs acknowledged their relationship to the soil out of which they sprung. The walls were unpainted, but turned by the slow action of sun and air and rain to a quiet dove or slate color. An old broken millstone at the door,--a well-sweep pointing like a finger to the heavens, which the shining round of water beneath looked up at like a dark unsleeping eye,--a single large elm a little at one side,--a barn twice as big as the house,--a cattle-yard, with "The white horns tossin
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