FREE BOOKS

Author's List




PREV.   NEXT  
|<   1   2   3   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25  
26   27   28   29   30   31   >>  
The Project Gutenberg EBook of Critias, by Plato This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Critias Author: Plato Translator: Benjamin Jowett Posting Date: August 15, 2008 [EBook #1571] Release Date: December, 1998 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK CRITIAS *** Produced by Sue Asscher CRITIAS by Plato Translated by Benjamin Jowett INTRODUCTION AND ANALYSIS. The Critias is a fragment which breaks off in the middle of a sentence. It was designed to be the second part of a trilogy, which, like the other great Platonic trilogy of the Sophist, Statesman, Philosopher, was never completed. Timaeus had brought down the origin of the world to the creation of man, and the dawn of history was now to succeed the philosophy of nature. The Critias is also connected with the Republic. Plato, as he has already told us (Tim.), intended to represent the ideal state engaged in a patriotic conflict. This mythical conflict is prophetic or symbolical of the struggle of Athens and Persia, perhaps in some degree also of the wars of the Greeks and Carthaginians, in the same way that the Persian is prefigured by the Trojan war to the mind of Herodotus, or as the narrative of the first part of the Aeneid is intended by Virgil to foreshadow the wars of Carthage and Rome. The small number of the primitive Athenian citizens (20,000), 'which is about their present number' (Crit.), is evidently designed to contrast with the myriads and barbaric array of the Atlantic hosts. The passing remark in the Timaeus that Athens was left alone in the struggle, in which she conquered and became the liberator of Greece, is also an allusion to the later history. Hence we may safely conclude that the entire narrative is due to the imagination of Plato, who has used the name of Solon and introduced the Egyptian priests to give verisimilitude to his story. To the Greek such a tale, like that of the earth-born men, would have seemed perfectly accordant with the character of his mythology, and not more marvellous than the wonders of the East narrated by Herodotus and others: he might have been deceived into believing it. But it appears strange that l
PREV.   NEXT  
|<   1   2   3   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25  
26   27   28   29   30   31   >>  



Top keywords:

Critias

 

trilogy

 

CRITIAS

 

Jowett

 

designed

 

Herodotus

 

narrative

 
number
 

Athens

 

struggle


history
 

Benjamin

 

intended

 
conflict
 

Timaeus

 

Project

 

Gutenberg

 
barbaric
 

myriads

 

contrast


present

 

evidently

 

Atlantic

 

remark

 
conquered
 
liberator
 

Greece

 

passing

 

Athenian

 

Trojan


prefigured

 
Persian
 
Carthaginians
 

Aeneid

 

Virgil

 
citizens
 

primitive

 

foreshadow

 

Carthage

 

marvellous


wonders

 

mythology

 
character
 

perfectly

 

accordant

 

narrated

 
appears
 
strange
 
believing
 
deceived