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, deeper than the sea, higher than the clouds, more beautiful than the sun, more manifold than the stars, and which outweighs all the earth." Then asks the voice of God: "How is this thy treasure called, oh Image of my Divinity?" "Lord, it is called my heart's desire. I have withdrawn it from the world, kept it to myself, and denied it to all creatures. Now no longer would I carry it. Lord, where shall I lay it?" "Nowhere shalt thou lay thy heart's desire save in My own Divine heart. There only wilt thou find comfort." Love and knowledge, the two aspirations of the soul after ultimate truth, are her frequent theme. Sometimes she contrasts Love with the knowledge of the understanding: "Those who would know much, and love little, will ever remain at but the beginning of a godly life. So we must have a constant care how we may please God therein. Simple love, with but little knowledge, can do great things"; sometimes with the knowledge of the heart--"To the wise soul, love without knowledge seems darkness, knowledge without fruition, the very pain of Hell. Fruition can be reached only through Death." In one of her visions she, in an exquisite simile, describes how love flows from the Godhead to mankind, penetrating both body and soul. "It goes without effort," she says, "as does a bird in the air when it does not move its wings." In the same vision she sees the Holy Mother, with uncovered breasts, standing on God's left hand, and Christ on the right, showing his still-open wounds, both pleading for sinful humanity, and she adds that as long as sin endures on earth, so long will Christ's wounds remain open and bleeding, though painless, but that after the Day of Judgment they will heal, and it will be as though there was a rose-leaf instead of the wounds.[24] [24] The first of these subjects--the Holy Mother and Christ pleading for sinners--is to be found in a miniature in King Henry VI.'s Psalter (Brit. Mus. Cotton MS. Domitian. A. xvii. _circ._ 1430, fol. 205), and the two intercessions separately form two of the subjects in the _Speculum Humanae Salvationis_ (fourteenth century). Though the _S.H.S._ is of later date than the time of Mechthild the literary source of the subject appears to be a passage in the _De laudibus B.M.V._ of Arnaud of Chartres, abbot of Bonneval 1138-1156 (J. Lutz and P. Perdrizet, _Spec. Hum. Sal._ vol. i., Mulhouse, 1907), which might quite wel
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