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isturbance impressed on Europe itself, ending in the decomposition of Christianity into two forms, Greek and Latin, and in three great political events--the emancipation of the popes from the emperors of Constantinople, the usurpation of power by a new dynasty in France, the reconstruction of the Roman empire in the West. The dispute respecting the worship of images led to those great events. The acts of the Mohammedan khalifs and of the iconoclastic or image-breaking emperors occasioned that dispute. [Sidenote: Worship of relics and images.] [Sidenote: Its rapid spread in Christendom.] Nothing could be more deplorable than the condition of southern Europe when it first felt the intellectual influence of the Arabians. Its old Roman and Greek populations had altogether disappeared; the races of half-breeds and mongrels substituted for them were immersed in fetichism. An observance of certain ceremonials constituted a religious life. A chip of the true cross, some iron filings from the chain of St. Peter, a tooth or bone of a martyr, were held in adoration; the world was full of the stupendous miracles which these relics had performed. But especially were painted or graven images of holy personages supposed to be endowed with such powers. They had become objects of actual worship. The facility with which the Empress Helena, the mother of Constantine the Great, had given an aristocratic fashion to this idolatry, showed that the old pagan ideas had never really died out, and that the degenerated populations received with approval the religious conceptions of their great predecessors. The early Christian fathers believed that painting and sculpture were forbidden by the Scriptures, and that they were therefore wicked arts; and, though the second Council of Nicea asserted that the use of images had always been adopted by the Church, there are abundant facts to prove that the actual worship of them was not indulged in until the fourth century, when, on the occasion of its occurrence in Spain, it was condemned by the Council of Illiberis. During the fifth century the practice of introducing images into churches increased, and in the sixth it had become prevalent. The common people, who had never been able to comprehend doctrinal mysteries, found their religious wants satisfied in turning to these effigies. With singular obtuseness, they believed that the saint is present in his image, though hundreds of the same kind wer
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